This is a bit of a departure for me – its the first time I have listened to a Pathfinder Legends release and therefore it is the first time that I have reviewed one. And coming in at season three I was a little bit apprehensive about what I had missed before – would I understand the plot and the character? And what exactly IS Pathfinder Legends? Well after a bit of research I can tell you that Pathfinder Legends is based on the role playing game of the same name and is set in a fantasy world of magic and monsters much like Lord of the Rings or Game of Thrones and it is right up my street. You see during the 1980’s I was a keen role player, Advanced Dungeons and Dragons, Warhammer, Rune Quest – all my sort of thing – and listening to this first release in series three gave me a warm nostalgic glow as I was transported back to long Saturdays , oddly shaped dice, painted lead figures and adventure!
Curse of the Crimson Throne: Edge of Anarchy does not hide its RPG roots, in fact it glories in them, it almost feels like you are listening to some players completely in character playing out a campaign – the structure is pure RPG, the story is pure RPG and boy does it feel like the beginning of an epic with lots of plot threads to tantalise the listener.
The story involves our heroes Valeros (Stewart Alexander), Ezren (Trevor Littledale), Harsk (Ian Brooker) & Merisiel (Kerry Skinner) waiting in a tavern in the city of Korvosa for Merisiel’s friend Kyra to show up, and just like Godot, she singularly fails to do so. This leads to a series of events that lets them in to a conspiracy regarding a murdered King, a machiavellian Queen, a city in ruin and riot and an awful miscarriage of justice in which our heroes may be culpable.
As I said, pure fantasy stuff, pure RPG but also edge of seat adventure – you may see the twists and turns coming a mile off, and they really do feel like chapters in an RPG campaign or “Fetch quests” but they are played out with such conviction that the band of heroes who I only joined in series three already feel like old friends – and it is this familiarity and genuine likability of the characters that drives the plot – I felt like shouting at them that they were being manipulated from the very beginning as they searched for a lost set of Harrow cards, were asked to return a lost brooch to the grieving Queen and the were charged by the Queen to hunt down her husbands alleged assassin – there is something going on and it does not bode well and only the nest five instalments will reveal the full answer.
I was hooked immediately, completely drawn in to the world of Pathfinder Legends – it may not be the best story ever, it may be predictable, but the ride you are taken on will transport you away from your normal everyday life to a world of magic, heroes and monsters and you will not want to leave. Pathfinder Legends feels like meeting old friends again for new adventures and I cannot wait for the next instalment. 8/10.
Written by Ed Watkinson
In the shadow of the ailing king of the city of Korvosa, a new ruler gathers power, sending shockwaves through a populace already plagued by unrest and pushing the city to the brink of disaster.
In the face of anarchy, Ezren, Valeros, Harsk and Merisiel are searching for Merisiel’s friend, Kyra, but soon find themselves called upon to serve Korvosa. Strange magic and mysterious prophesies set them on the trail of a common foe – a path that draws them into a struggle to save the city from ruin.
Amid the intrigues of kings and generals, heroes and thieves, it’s up to the heroes to decide whether the rule of a new monarch will usher in a new age of glory or a reign of chaos.
Written By: David Bryher, from a story by Nicolas Logue
Directed By: John Ainsworth
Stewart Alexander (Valeros), Trevor Littledale (Ezren), Ian Brooker (Harsk), Kerry Skinner (Merisiel), Louise Faulkner (Zellara/Trinia Sabor), John Green (Gaedren Lamm), Richard Katz (Guard Captain), Imogen Church (Sabina Merrin), Kate Brown (Queen Illeosa), Sean Connolly (Vencarlo Orisini)
Producer John Ainsworth
Script Editor John Ainsworth
Executive Producers Jason Haigh-Ellery and Nicholas Briggs