Oh now this one is rather good, I may go so far as to say that it is the jewel in the crown of this particular series of Pathfinder Legends. I don’t know what it is but this one sort of “flows” wheras the other entries in to the series so far have really betrayed their roots and felt like a series of set pieces, this one feels like an organic developing story where the outcome has not been pre-decided, there is a sense of real as opposed to staged danger and the characters really are allowed to breathe and develop.

So whats happening in The Skeletons of Scarwall? Well our heroes Harsk (Ian Brooker), Valeros (Stewart Alexander), Ezren (Trevor Littledale) and Merisiel (Kerry Skinner) are continuing their quest to find a weapon capable of defeating the evil Queen Illeosa and have been directed to Scarwall Fortress, home of Undead Lord Kazavon and his horde – this dread fortress is said to hold a magical sword that may just have the power to defeat the Queen. So far so generic RPG? Well you would be right in thinking that, it sounds just like an RPG romp that folks like me used to play in the 1980’s – but it is the presentation that makes this stand head and shoulders above its peers. The danger seems real, the characters feel truly out of their depth and then things step up a gear when possibly my favourite character in Pathfinder Legends Laori Vaus (Ashleigh Loeb) shows up.

Laori is a complex multi layered dangerous and rather sad character. A Forlorn Elf, that is an Elf brought up by humans and spent her life watching them die of old age as she lived – she became obsessed with pain and death and fell in with the worshippers of the “Midnight Lord” – Zon Kuthon, God of evil, suffering and pain. Laori delights in the suffering of others and of herself and has a disturbing sing song innocence to her voice, she and her companion Siel (Fanos Xenofos) are also on their way to Scarwall to take out the “heathen” who have defected from their fealty to Zon Kuthon. Can an alliance between Laori and our heroes work for mutual benefit? The answer is to be found by listening and it really is one shock revelation after another. The story really feels it is building to a climax and that the victory over Queen Illeosa (if it happens) will be earned by adventures like this one where no one is quite the same again, characters act out of character and the rules are constantly changed.

Ending on a cliffhanger which will lead us into next months finale, this episode feels like the dark before the dawn – tonally very different from what has come before and all the better for it. 9/10.

Written by Ed Watkinson


Condemned by a history of horrors, an army of the living dead stands between Korvosa and its only hope for salvation. Within the grim fastness of haunted Scarwall, the lifeless legions of the ancient warlord Kazavon guard the same accursed halls they’ve stalked for more than 700 years.

Crossing a forsaken land to reach the infamous citadel’s dreaded gates, Ezren, Merisiel, Harsk and Valeros must explore the foul castle’s haunted halls, and confront otherworldly terrors to purge the taint of Kazavon’s final days before having any hope of finally breaking the Curse of the Crimson Throne.

Written By: David Bryher, based on a story by Greg A Vaughan
Directed By: John Ainsworth


Stewart Alexander (Valeros), Trevor Littledale (Ezren), Ian Brooker (Harsk), Kerry Skinner (Merisiel), Ashleigh Loeb (Laori Vaus), Fanos Xenofós (Shadowcount Sial), Harry Myers (Mithrodar/ Uri), Helen Goldwyn (Ravenka), Wraith Johnson (Kleestad/ Ildervok)

Producer John Ainsworth
Script Editor John Ainsworth
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


This entry was posted in Uncategorized. Bookmark the permalink.

Comments are closed.