SAMUEL ANDERSON JOINS DOCTOR WHO

[singlepic id=791 w=350 h=277 float=right]The BBC has announced that Samuel Anderson (The History Boys, Gavin & Stacey, Emmerdale) is set to join the cast of Doctor Who as a recurring character in series 8, which will also introduce Peter Capaldi as the Doctor to millions of viewers for the first time.

Anderson will play Danny Pink, a teacher at Coal Hill School where companion Clara Oswald (Jenna Coleman) also teaches and where Ian Chesterton and Barbara Wright, companions to the First Doctor, were employed.

On joining the show Samuel Anderson said:

I was so excited to join Doctor Who I wanted to jump and click my heels, but I was scared I might not come down before filming started! It’s a quintessential part of British culture and I can’t believe I’m part of it. It’s an honour to be able to work alongside Peter Capaldi and Jenna Coleman and I can’t wait to show people how my character becomes involved with such a fantastic duo!

Steven Moffat, lead writer and executive producer, added:

For the fourth time in Doctor Who history, Coal Hill School is coming to the aid of the TARDIS. In 1963 teachers Ian Chesterton and Barbara Wright accompanied the First Doctor. These days it’s the turn of Jenna Coleman as Clara Oswald. And very soon now, Sam Anderson as Danny Pink will be entering the world of the Doctor. But how and why? Answers are coming later this year in Peter Capaldi’s first series of Doctor Who!

Filming recently began on episode 4 of the new series which will co-star Robert Goodman (Gangs of New York, Game of Thrones) and episode 5, co-starring Jonathan Bailey (Broadchurch, Groove High), and Pippa Bennett-Warner (The Smoke, Death in Paradise).

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WHITE GHOSTS – REVIEW

[singlepic id=790 w=208 h=208 float=left]Expectations are funny things, made up of past experiences, wishful thinking, anticipation, dread, dreams, ambitions, we all have them.  Some great, some not so great, but when it comes to an adventure starring Tom Baker and Louise Jameson, I have certain expectations. Tom will be bonkers, Louise will act her socks off as Leela, but as far as the story goes, my expectations would be for a pastiche of season fifteen, much as we got with last months The King of Sontar, and to a certain degree, we do, but White Ghosts is a strange beast – satisfying, exceeding but also not delivering on my expectations all within the space of two episodes.

The story carries on from The King Of Sontar, The Doctor and Leela are not on the best of terms, she is in the library reading a book of English Fairy Tales and taking them rather literally when The Doctor discovers her, and then the plot begins. The TARDIS is in the path of an oncoming missile on an airless almost permanently dark planet, the Doctor and Leela take it upon themselves to warn the survey team on this planet, an odd bunch who have gone to great extremes to adapt to the dark and lack of oxygen, and then, the missile explodes in the atmosphere bringing light to this cold dark planet, and all hell breaks loose.

I spoke earlier about expectations, one thing I don’t expect from a Big Finish audio is not to be engaged in the plot, and to be honest, part one left me feeling rather cold. But oh dear reader, part two, part two is a thing of beauty, from Louise Jameson’s inner monologue when fighting the White Ghosts, to Tom Baker going from silly to cold and deathly serious, to the astounding concept of what the dark planet is actually for – it’s bonkers, it really is, but it works! A special mention must go to the lovely Virginia Hey as Bengel, someone who has sacrificed way to much in the name of research, what started off as a run of the mill mid-season story ends in a way in just didn’t see coming, my expectations were lowered by the pace of part one, but completely exceeded by part two, I love it when this happens, that the tone is so completely different between parts, and how all the actors up their game as the script they are following gets more intense.

It’s going to be interesting to see how the relationship between The Doctor and Leela plays out over the remainder of the season, as for the second story in a row, they are not seeing eye-to-eye.

An interesting oddity of a story, it’s agriculture Jim, but not as we know it!

Overall 7/10

Written by Ed Watkinson

SYNOPSIS:

A close encounter with a stray missile leads the Doctor to materialise his TARDIS on a planet that hangs in the dark at the edge of the known universe. A planet so dark that it exists in near-permanent night. A planet that enjoys just a single day’s light once every thousand years…

Exactly what happens on the planet in its rare daylight hours – that’s what a geographical survey headed by Senior Tutor Bengel is stationed here to establish. They, the Doctor and Leela are about to discover that when daylight comes, the White Ghosts rise…

So don’t be afraid of the dark. The cover of night is a mercy.

CAST:

Tom Baker (The Doctor), Louise Jameson (Leela), Virginia Hey (Bengel), Bethan Walker (Aranda), Gbemisola Ikumelo (Morandi), James Joyce (Candelli/Harvester)

Written By: Alan Barnes
Directed By: Nicholas Briggs

BUY YOUR COPY HERE

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THE COMPANION CHRONICLES: THE SLEEPING CITY – REVIEW

[singlepic id=789 w=208 h=208 float=right]Maybe I think too much, we all know that Doctor Who is “just a TV show”, but boy does it fire the imagination, when I first saw The Chase back in the early 1990’s, my early twenty- something fan brain latched on to the fact that Ian and Barbara were returned a year late, a whole year of their lives missing, how could this be explained, how could they explain the disappearance of one of their pupils, some twenty-two years later, these issues are addressed (somewhat) in the latest Companion Chronicle release from Big Finish: The Sleeping City.

Reprising the role of Ian Chesterton is William Russell, and it opens with Ian and Barbara in a heap of trouble, unable to explain their missing year to the authorities, they are both accused of being Soviet Agents and are under interrogation, but Ian’s interrogator, Gerrard, played by John Banks, seems very interested in The Doctor, and is all too keen for Ian to tell him about their adventures to convince him that he is not a Soviet Spy, and the story Ian tells is an odd one.

Feeling reminiscent of the last couple of episodes of The Keys of Marinus, Ian recounts his visit, along with The Doctor, Barbara and Vicki to the City of Hisk, a City where the citizens share their leisure time in a shared dream experience, but there is nightmare hiding in the dream state and soon Vicki has been marked for death and it is up to the Doctor to solve the mystery of Hisk and expose the rotten core at the heart of the dreaming.

The early 1960’s era is captured excellently by William Russell, he has Jaqueline Hill, William Hartnell and Maureen O’Brien’s intonation captured to perfection, he easily recreates the banter between Ian and Barbara, there is such love between the characters, and he paints a wonderful picture of a gleaming sci-fi cityscape along with its citizens, he makes it very alive and very real with just a few words.

It’s an entertaining little play, more of a table wine than a vintage, but perfectly drinkable (if you will excuse the analogy), maybe I worked out the ending too early on, or maybe I was spoilt by Dark Eyes 2 being so good, but as a piece of retro 1960’s Doctor Who it succeeds admirably, and massive praise to William Russell for making it such a visual audio.

Overall 7/10

Written by Ed Watkinson

SYNOPSIS:

After travelling with the Doctor through time and space, Ian Chesterton is back in his own time. But the mystery of how he and Barbara Wright disappeared in the year 1963 has alerted the authorities – and both are suspected of being enemy agents in the Cold War.

Ian protests his innocence. He has a story to tell about travelling through time and space.

And one adventure in particular – a visit to the city of Hisk…

CAST:

William Russell (Ian Chesterton), John Banks (Gerrard)

Written By: Ian Potter
Directed By: Lisa Bowerman

BUY YOUR COPY HERE

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DARK EYES 2 – REVIEW

[singlepic id=784 w=208 h=208 float=right]Sometimes I think I am entirely out if step with popular opinion.  I seem to be one of the only people who thought Matt Smith was terrible, love Colin Baker and McCoy, adore River Song and Torchwood and was left completely cold by The Enemy of the World.

A similar thing happened to me when listening to Dark Eyes, I enjoyed it. It was a great performance by the magnificent McGann and Ruth Bradley as Molly O’Sullivan made a great foil and complete contrast to Lucie Miller, but I found the story lacking cohesion, it just didn’t quite hit the spot for me.

So it was with some anticipation, expectation and almost foreboding that I started to listen to Dark Eyes 2, would it live up to the incredibly high standards set by it’s illustrious and award winning predecessor the answer, dear reader is very much of a YES, but read on…

Doctor Who very rarely does epic well, The Daleks’ Master Plan, The War Games, The Trial of a Timelord, RTD’s season finales, but not much more, but boy, is Dark Eyes 2 epic.  Set across a backdrop of Dalek occupation in the far future, to 1918 London, to the end of the universe, to the 1970’s, it’s scale is stupendous, and in being set over four distinctive parts, we get four distinctive styles of story telling.  Part 1 – The Traitor us an adrenaline charged action movie, Part 2 – The White Room is a slow burning mystery, Part 3 – Times Horizon is a whodunit/horror in space, and part 4 – Eyes of The Master is a thriller.

Paul McGann excels as The Doctor, he is a changed man, more cynical and driven than his foppish TV persona.  Ruth Bradley makes a great foil in Molly O’Sullivan (her of the Dark Eyes) whereas Nicola Walker as Liv Chenka may well go on to be a classic companion; she is well written, very human and very believable.

I am not a fan of “timey-wimey” storytelling.  This story does hinge on time travel, however, unlike the TV series this isn’t used for a cheat ending and is woven into the narrative very naturally.  There are cliffhangers galore, plots, counterplots, intrigue, heartbreak and, perhaps most importantly, the plot threads hang together as a tightly woven cohesive whole.

So was I impressed, yes indeed I was, especially since I was a little underwhelmed by Dark Eyes 1, Dark Eyes 2 is a triumph, ends on a cliffhanger, and left me counting the days until Dark Eyes 3.

Possibly the best McGann story of them all 10/10.

Written by Ed Watkinson

SYNOPSIS:

When the Doctor defeated the Dalek Time Controller and its Time Lord ally, the timelines shifted and events changed… but the danger is far from over. And new threats to the continued safety of the universe are emerging.

Molly O’Sullivan carried on with her life as a nursing assistant in World War One. She probably thought she would never see the Doctor in his ‘Tardy-box’ again…

From the Dalek occupied planet Nixyce VII through Earth’s history and to the very edge of the universe, the Doctor’s footprints across eternity are being tracked by foes old and new. But when did it all begin and when will it end? Living his life through the complexities of time travel, the Doctor can never be quite sure if he’s experiencing his life in the most helpful order. The only certainty appears to be the advance of the powers of evil and the oncoming threat of a fight to the death against forces that would destroy everything the Doctor holds dear.

[singlepic id=785 w=208 h=208 float=left]PART ONE: THE TRAITOR
by Nicholas Briggs

Nixyce VII is under Dalek occupation. For many, their only hope of survival is decent medical care, as slave working conditions under the Dalek regime are appalling. But when you help people to survive under the rule of the Daleks, are you actually helping the Daleks? Med-tech Liv Chenka doesn’t have the luxury of pondering these dilemmas. She must just do what she feels is right.

But then there are the soldiers of last resort… The freedom fighters left behind to cause maximum damage to the Dalek war effort, at whatever cost. To them, anyone who seems to be helping the Daleks is a traitor.

And when the Doctor arrives, his secret agenda throws him into conflict with everyone.

[singlepic id=786 w=208 h=208 float=right]PART TWO: THE WHITE ROOM
by Alan Barnes

Molly O’Sullivan is still trying to help people, but now she is back in London, staying in Baker Street.

But there are dangerous forces abroad. Where are the young deserters disappearing to? Who are the Huntsmen? And what is really going on at the Blackwell Convalescent Home?

Perhaps the mysterious ‘Surgeon General’ has the answers. To find out, the Doctor must tackle an old and baffling enemy.

[singlepic id=787 w=208 h=208 float=left]PART THREE: TIME’S HORIZON
by Matt Fitton

The Doctor and Molly find themselves at the very edge of creation. But something dangerous seems to be heading back into the known universe from the very end of time.

The crew of the cryo-ship Orpheus, including its medical officer Liv Chenka, have their mission parameters to adhere to; but the arrival of the Doctor and Molly changes everything. An ancient and terrible force is on a collision course with them all and the outcome seems to be a matter of divine destiny.

[singlepic id=788 w=208 h=208 float=right]PART FOUR: EYES OF THE MASTER
by Matt Fitton

The Doctor, Liv and Molly arrive back on Earth in the 1970s to investigate the Ides Institute. The timelines have shifted since the Doctor and Molly first travelled here and all is not as it was. Dr Sally Armstrong is still working for the Ides, but her associate has a devastating plan in mind.

Soon, Molly’s ‘dark eyes’ prove to be at the centre of a plot to seize control of all life in the universe.

CAST:

Paul McGann (The Doctor), Ruth Bradley (Molly O’Sullivan), Nicola Walker (Liv Chenka), Alex Macqueen (The Master), David Sibley (The Eminence), Nicholas Briggs (The Daleks)

Written By: Nicholas Briggs, Alan Barnes, Matt Fitton
Directed By: Nicholas Briggs

Dark-Eyes-2-pack

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HAPPY BIRTHDAY MICHAEL E. BRIANT!

Who is Michael E BriantWe are delighted to wish legendary Doctor Who director Michael E. Briant a very Happy 72nd Birthday today!

Michael directed numerous episodes of classic TV series throughout the 1970’s such as Blake’s 7, Secret Army, Warship and most famously Doctor Who. Many of his Who stories including The Sea Devils, The Green Death and The Robots of Death are regarded as all-time greats by fans of the series.

Further to those Doctor Who stories directed by Michael, he also worked on The Crusade, The Power of the Daleks and Fury From The Deep. A total of 46 Doctor Who episodes worked on between 1966-1977.

In his memoir Who is Michael E. Briant? Michael reminisces about his life and work, from his beginnings as a child actor in the 1950’s, followed by a highly successful career working for the BBC and later for Dutch television, right through to his impressive circumnavigation of the world and attack by pirates in the Gulf of Aden. He includes separate chapters on each of his Doctor Who stories and also shares memories of his early years on the programme in the 1960’s, while he was working his way up in the TV profession, and William Hartnell and Patrick Troughton were at the TARDIS controls.

Making an episode of a modern-day police, medical or domestic drama was nothing compared to imagining how Colony in Space should look and be made. Twenty parts to be cast, locations to be found for two weeks’ filming in a landscape that looked like a foreign planet, a robot to be created… and, and, and… I confess that sometimes, during the preparation period, I would drive home thinking that if I just crashed the car into a concrete wall and injured myself, then I would not have to direct this show…

As well as being available in printed form in the UK, Michael’s book can also be bought in print in the US from CreateSpace and on Kindle.

MEB

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DOCTOR WHO MAGAZINE SALES CONTINUE TO SOAR!

Doctor Who Magazine and Doctor Who Adventures have both seen huge rises in circulation over the past six months, with DWM recording it’s best-ever figure and DWA reversing a slump in readership.

The latest figures for Jul to December 2013 were published at midday today by the Audit Bureau of Circulations and showed that DWM, published by Panini, had a total average net circulation of of 36,151 per issue, up by 4,459 and a 14.1% rise on the previous six months.

DWA, published by Immediate Media Co, posted a total average net circulation of 28,443 per issue for the same period, an increase of 3,946, a rise of 16.1% on the Jan-June 2013 period.

Doctor Who Magazine’s results include a remarkable individual sale of 50,000-plus copies of it’s 50th Anniversary issue. The overall figure equals a year-on-year increase of 25.8% for the four-weekly magazine but a drop of 10.9% for DWA, although it should be noted that in previous figures, released last August, DWA recorded a 23.2% fall year-on-year, so the latest result is a huge turnaround over the same period for the fortnightly publication.

Doctor Who Magazine editor, Tom Spilsbury, said:

Doctor Who Magazine has been running non-stop for more than 34 years. With the general downturn in sales across the magazine industry it’s extraordinary to see that DWM has just recorded its highest circulation figures since 1980. The 50th anniversary edition – DWM 467 – ended up selling more than 50,000 copies and had to be reprinted to try to meet demand.

The six-month average figure for the magazine is an incredible 36,151 copies, which is also the best average figure for more than 33 years. Thank you to all of our loyal readers who have stuck with us over the years, as well as to all the new readers who have joined us more recently.

The next challenge will be to try to maintain these excellent numbers now that Doctor Who’s 50th anniversary celebrations are over! But with a new Doctor waiting in the wings, in the shape of the brilliant Peter Capaldi, I’m sure the future is going to be very bright for both the show itself and it’s official magazine.

Katie Wilkinson, the circulation manager at Panini, added:

It has been a fantastic year for Doctor Who. At a time when many magazines are struggling to maintain their circulation figures it is really exciting to be able to post great growth in sales both on the newsstand and in subscriptions.

Doctor Who showrunner Steven Moffat commented:

Huge congratulations to Panini and Doctor Who Magazine. This is a stunning achievement. It’s hard to remember now the dark days when Doctor Who was off the air, but DWM kept the fires burning through those long wilderness years. That makes it especially pleasing to see their loyalty, dedication and endless creativity rewarded. Hooray and onwards. Year 51, that’s the big one!

DWA spokeswoman Jaynie Bye said:

We’re absolutely thrilled with our 16 per cent period-on-period increase. The hard work of the team, fronted by editor Moray Laing, is really paying off. The title has recently undergone a complete editorial overhaul and is looking stronger than ever. This, coupled with the excitement that surrounded the 50th anniversary of Doctor Who and the imminent arrival of Peter Capaldi as the new Doctor, puts Doctor Who Adventures magazine on a sound footing for the future.

The circulation figures for the first six months of this year are currently due to be published on Thursday 14th August.

Thanks to the Doctor Who News page

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CINEMA SCREENING FOR ENEMY AND WEB

BBC Worldwide have announced that the two recently recovered stories The Enemy of the World and The Web of Fear will be given a cinema screening later this month.

Both stories will be shown together at the Prince Charles Cinema in London on Saturday 22nd February from 11.15am, followed by a 45 minute Q&A, chaired by Toby Hadoke, with cast members from the stories and a member of the Troughton family.

Fiona Eastwood, Director of Consumer Products at BBC Worldwide, said:

The recovery of these missing stories was undoubtedly a high point for BBC Worldwide and Doctor Who fans around the world last year, and we hope there will be more to come. We’re delighted that we’ve been able to make both of these stories available and the marathon screening at the Prince Charles Cinema is a great moment for Doctor Who fans to come together and celebrate their recovery.

Paul Vickery, Head Programmer at the Prince Charles Cinema said:

I couldn’t be more proud to be part of this one-off experience – as a cinema, it’s a dream come true for us to finally have the Doctor fill our screen and delight audiences and fans of the show. As a HUGE fan of the series I’ll be there too, front row-centre. I’m very excited about having the opportunity to revisit these incredible episodes in a truly unique way… on the big-screen. It’s sure to beone of those events for the PCC history books and I for one can’t wait.

Dick Fiddy, Missing Believed Wiped Co-ordinator at the BFI, added:

These finds are truly significant, offering a further opportunity to re-visit the Patrick Troughton era. The recovery of these episodes indicates the possibility that more episodes are out there somewhere awaiting re-discovery – a mouth-watering prospect for all Doctor Who fans and those interested generally in the recovery of missing UK television programmes.

Tickets go on sale from 9.00am on the 14th February, priced at £14 (£11.50 members).

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PHILIP HINCHCLIFFE PRESENTS

[singlepic id=782 w=208 h=208 float=right]Big Finish have announced a new set of adventures featuring Tom Baker as the Fourth Doctor with Louise Jameson as Leela, written by the pair’s original producer Philip Hinchcliffe alongside Ghost Light writer Marc Platt.

Former Doctor Who producer Philip Hinchcliffe has been reunited with his stars, Tom Baker and Louise Jameson, for ten brand new episodes of Doctor Who made for audio at Big Finish.

Doctor Who: Philip Hinchcliffe Presents will consist of two epic full-cast stories, filled with all the drama and chills that marked Hinchcliffe’s era of the TV show.

The Ghosts of Gralstead is a six-part adventure, and it finds the Doctor and Leela returning to Victorian London, in the year 1860:

At St Clarence’s Hospital, respected surgeon Sir Edward Scrivener requires the bodies of the dead… At Doctor McDivett’s Exhibition of Living Wonders and Curiosities, miracles are afoot… And in Gralstead House, the ghost will walk again. Mordrega has come to Earth…

Carolyn Seymour – who is known for Quantum Leap, Star Trek: The Next Generation, Star Trek: Voyager and, notably, for playing Abby Grant in the original Survivors – plays Mordrega. Sir Edward is played by Gethin Anthony (Game of Thrones).

The second, four-part adventure is called The Devil’s Armada:

The TARDIS materialise in Sissenden Village in the sixteenth century. Catholic priests are hunted, so-called witches are drowned in the ducking stool, and in the shadows the Vituperon are watching… and waiting…

Doctor Who: Philip Hinchcliffe Presents also includes a special hour-long documentary featuring interviews with Tom, Louise, Philip and the cast, and is released in September.

The CD boxed set will be launched at Big Finish Day 5 in Slough on Saturday 13th September, which Tom, Philip and Carolyn are attending.

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BIG FINISH RELEASES DARK EYES 2

Dark Eyes 2 pack

Last month Big Finish won a prestigious BBC Drama Award for it’s audio adventure Dark Eyes, starring Paul McGann.

This month sees the release of Dark Eyes 2.

SYNOPSIS:

When the Doctor defeated the Dalek Time Controller and its Time Lord ally, the timelines shifted and events changed… but the danger is far from over. And new threats to the continued safety of the universe are emerging.

Molly O’Sullivan carried on with her life as a nursing assistant in World War One. She probably thought she would never see the Doctor in his ‘Tardy-box’ again…

From the Dalek occupied planet Nixyce VII through Earth’s history and to the very edge of the universe, the Doctor’s footprints across eternity are being tracked by foes old and new. But when did it all begin and when will it end? Living his life through the complexities of time travel, the Doctor can never be quite sure if he’s experiencing his life in the most helpful order. The only certainty appears to be the advance of the powers of evil and the oncoming threat of a fight to the death against forces that would destroy everything the Doctor holds dear.

PART ONE: THE TRAITOR
by Nicholas Briggs

Nixyce VII is under Dalek occupation. For many, their only hope of survival is decent medical care, as slave working conditions under the Dalek regime are appalling. But when you help people to survive under the rule of the Daleks, are you actually helping the Daleks? Med-tech Liv Chenka doesn’t have the luxury of pondering these dilemmas. She must just do what she feels is right.

But then there are the soldiers of last resort… The freedom fighters left behind to cause maximum damage to the Dalek war effort, at whatever cost. To them, anyone who seems to be helping the Daleks is a traitor.

And when the Doctor arrives, his secret agenda throws him into conflict with everyone.

PART TWO: THE WHITE ROOM
by Alan Barnes

Molly O’Sullivan is still trying to help people, but now she is back in London, staying in Baker Street.

But there are dangerous forces abroad. Where are the young deserters disappearing to? Who are the Huntsmen? And what is really going on at the Blackwell Convalescent Home?

Perhaps the mysterious ‘Surgeon General’ has the answers. To find out, the Doctor must tackle an old and baffling enemy.

PART THREE: TIME’S HORIZON
by Matt Fitton

The Doctor and Molly find themselves at the very edge of creation. But something dangerous seems to be heading back into the known universe from the very end of time.

The crew of the cryo-ship Orpheus, including its medical officer Liv Chenka, have their mission parameters to adhere to; but the arrival of the Doctor and Molly changes everything. An ancient and terrible force is on a collision course with them all and the outcome seems to be a matter of divine destiny.

PART FOUR: EYES OF THE MASTER
by Matt Fitton

The Doctor, Liv and Molly arrive back on Earth in the 1970s to investigate the Ides Institute. The timelines have shifted since the Doctor and Molly first travelled here and all is not as it was. Dr Sally Armstrong is still working for the Ides, but her associate has a devastating plan in mind.

Soon, Molly’s ‘dark eyes’ prove to be at the centre of a plot to seize control of all life in the universe.

CAST:

Paul McGann (The Doctor), Ruth Bradley (Molly O’Sullivan), Nicola Walker (Liv Chenka), Alex Macqueen (The Master), David Sibley (The Eminence), Nicholas Briggs (The Daleks)

Written By: Nicholas Briggs, Alan Barnes, Matt Fitton
Directed By: Nicholas Briggs

BUY YOUR COPY HERE

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WHO’S CHANGING – REVIEW

What does it mean to be a fan? What does it feel like? Why do we do it? Why are we drawn to other fans?

All these questions and many more are posed by Cameron K McEwan of Blogtor Who fame in his new documentary Who’s Changing.

Easily of the quality of documentaries broadcast on the BBC, this looks at the history of fandom, from the very first convention back in 1977 to the mega conventions and comic cons that are held today, along the way people who were there at the beginning like Jan Vincent Rudski and Jeremy Bentham are interviewed along with writers, script editors, actors, but most of all fans, because this film really is about the fans and the affection that we hold for the show, in fact I would say that this is Blogtor’s love letter to fandom.

What comes across more than anything is the sense of joy in being a fan and being part of something, this really is put across very well by the younger fans, their enthusiasm and love is there for all to see, be it talking about the show, or taking part in cosplay, there is a genuine love and being a Who fan is so much part of their identity, it’s like a badge of honour, much like the United fan wearing a team shirt and scarf for a football match. These young new generation fans really could teach us old timers a thing or two, for them, it’s not about knowing the most obscure fact or how long they have been a fan, it’s purely about celebrating the greatest television programme (pause for Clarkson effect) IN THE WORLD.

Cameron has done a fantastic job putting this together, what is essentially 90 minutes of talking heads is so well edited that the time just flew by, the actors came across as genuine, Neve McIntosh was lovely, Sophie Aldred and Louise Jameson charming as ever and getting mainly fans insight rather than all the old favourite anecdotes was a brave and refreshing move which has worked incredibly well, the fans are a real cross section, none are weirdos or loonies, just joyful, enthusiastic, intelligent, well spoken people who share a common love.

Highly recommended and we can’t wait for the sequel!

A Dewey-eyed and utterly heartwarming 10/10.

Written by Ed Watkinson

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CHRISTOPHER BARRY 1925 – 2014

Christopher BarryDoctor Who director Christopher Barry has died at the age of 88.

Christopher Barry was the show’s longest serving director, working on 43 episodes from The Daleks with William Hartnell in 1963 to The Creature from the Pit with Tom Baker in 1979. He was one of only three directors to have worked with all of the first four actors to play the title role.

Barry also directed The Rescue, The Romans, The Savages, The Power of the Daleks, The Daemons, The MutantsRobot and The Brain of Morbius, some of the most popular Doctor Who stories in the show’s long history.

When the series was off the air in 1995 he also directed the straight-to-video spin-off story Downtime independently produced by Reeltime Pictures.

Christopher Barry began his career in films, working as an assistant director on productions such as Meet Mr. Lucifer (1953), The Love Lottery (1954) and The Ship That Died of Shame (1955). By 1958 he was directing, working on the BBC’s Starr and Company, the crime drama Private Investigator and the long-running soap opera Compact. He also directed episodes of Paul Temple, Moonbase 3, Poldark, Angels, Nicholas Nickleby, The Onedin Line, Z Cars, All Creatures Great and Small, Nanny and Juliet Bravo. He also directed eleven episodes of the TV adaptation of John Christopher’s The Tripods.

Christopher Barry died after a fall at his local shopping centre in Banbury in Oxfordshire.

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THE WEB OF FEAR – REVIEW

[singlepic id=731 w=259 h=351 float=left]If anybody had told me this time last year that I would be sitting here reviewing The Web of Fear I wouldn’t have believed them. Yes the omnirumor was in full flow then but as far as I was concerned it was just that, a rumour. Then October 2013 came along and everything changed. No longer would I watch the excellent episode one and then have to resort to either watching a recon or listening to the BBC narrated soundtrack, The Web of Fear was back – minus episode three – and it was here to stay.

Okay, I’ll start with the DVD content, of which there isn’t much. The DVD includes a trailer for the story before, The Enemy of the World, which came out last year and that is it basically. There is no audio commentaries, no making-of documentary, no animated missing episode (it’s a recon) and no wild-card documentaries about Victoria’s knickers.

I would be lying if I said I wasn’t disappointed, the DVD range has been one of the best for any television series released on DVD, but I have to ask myself if it really needs it? All of the DVDs in this range I have bought mainly for the extras, all but the odd few episodes that have come back I own on video already, but not The Web of Fear, and the same could be said for The Enemy of the World. I really think that if you’re going to ever buy a classic series DVD just for the story, this is it.

Professor TraversNow on to the story itself. It’s a total joy to watch the story past the first episode after all these years, now we can see what happens next and it doesn’t disappoint. The story is well acted, well directed and the sets are fantastic, it really does have a very claustrophobic feel too it as the main characters are walking through the underground tunnels and the Great Intelligence’s evil web is closing in all around them. The story also has a sense of mystery to it as you never know who the Intelligence is controlling until the very end of the adventure and everyone is a suspect. The fourth episode is a great game-change episode as almost all the minor characters are killed off in a major battle sequence, staged and shot exceptionally well by the story’s director Douglas Camfield.

We shouldn’t forget here that this story also holds the important accolade of being the first appearance of the late great Nicholas Courtney as Colonel Lethbridge-Stewart. Courtney doesn’t appear until episode three but hits the ground running, putting in the kind of bravura performance that would ensure his character would remain a regular fixture in the series for years to come. There is a brilliantly played scene by Courtney near the end of episode four when the Colonel returns to the underground base, his troops killed, and is almost ready to accept defeat.

If I was to sum this story up I would say that this is one of those rare stories that sets the benchmark for all Doctor Who stories to follow, they don’t get much better than this.

Written by Nick Headley

The Web of Fear

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LUNA ROMANA – REVIEW

[singlepic id=775 w=208 h=208 float=right]I will make no attempt to hide it, Romana II is my favourite companion of the classic era, I love her haughty, acidic wit, she was a perfect foil for Tom Baker, and this latest Companion Chronicle is a celebration of all things Romana, from her first, through her second to her third, yes you read right THIRD incarnation, played by Juliet Landau (Drusilla from Buffy the Vampire Slayer).

As with all the Companion Chronicles, this is more like a talking book than a full cast audio, with Juliet Landau reminiscing in the first episode about when she was in her first incarnation and on the quest for the Key To Time. Landau is an excellent addition to the role of Romana, she has the charm of Mary Tamm, the wit of Lalla Ward, and also a sense of melancholy and perspective that experience brings. The plot involves the Doctor and the first Romana turning up in Ancient Rome on the quest for the last segment of the Key To Time, the. Doctor takes time out to watch a play whilst Romana goes off in search of the sixth segment, soon getting into trouble.

Episode two has the Fourth Doctor and the Second Romana landing on a lunar theme park with robotic representations of Ancient Rome and other historical periods of earths history, there they meet Quadrigger Stoyn, played by Terry Molloy who is a Gallifreyan Engineer gone bad, and the villain of the piece, the two plot threads intertwine from this point onwards, involving all sorts of “timey wimey” shenanigans involving multiple Romana’s, time split (think Scaroth) Quadrigger Stoyn and lots of jumping back and forth in time.

So, is it any good? Well, yes and no in almost equal parts.

I loved the framing device of the third incarnation of Romana looking back, and the story itself is a lovely tribute to the lovely and much missed Mary Tamm, there are some lines in there which had me close to tears, all these lines are delivered by Landau with a sense of wonder, and regret and are just so moving and powerful in the image they create of a forever youthful first Romana always being out there somewhere in time on a perpetual quest for the Key To Time, I am welling up just thinking of it.

If there is one thing that let’s this story down it is the plot, it is way to convoluted and “Moffat Era” messing about with time for my taste, that’s not to say its a bad plot, just not to my taste, I must admit, I had trouble following the last episode.

So, as a character piece and tribute to the first Romana, it is an unmitigated success, and I hope we hear more of Juliet Landau very very soon, however, the plot left me cold, that’s not to say that others won’t like it, just not my cup of tea.

A game of two halves really, final score 6/10

Written by Ed Watkinson

SYNOPSIS:

The search for the final segment of the Key to Time takes the Doctor and the First Romana to Ancient Rome. The Time Lady is appalled when her companion prefers to watch the latest Plautus comedy rather than complete their mission, and is even less delighted to meet the playwright himself.

But all is not what it seems, either onstage or behind the scenes…

In the far, far future, the Second Romana is destined to have her own encounter with a legacy of Rome, but Stoyn has been waiting. And his actions will set Romana on a collision course with her own past.

Quadrigger Stoyn wants his final revenge on the Doctor, and only Romana stands in his way.

Both of her.

CAST:

Lalla Ward (Romana), Juliet Landau (Romana), Terry Molloy (Quadrigger Stoyn)

Written By: Matt Fitton
Directed By: Lisa Bowerman

BUY YOUR COPY HERE

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DOCTOR WHO MAGAZINE #470

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The new issue of Doctor Who Magazine is out now, and looks back on MATT SMITH’s four years as the Doctor.

“A big part of me wanted to stay because it’s a wonderful job and he’s a wonderful character. My life will never be the same. I’ll never play another part quite like this…”

Also in this issue:

  • Model-maker extraordinaire MIKE TUCKER and members of the Model Unit talk exclusively to DWM about creating the visual effects for Doctor Who in 1980s.
  • Doctor Who’s new executive producer BRIAN MINCHIN writes exclusively for DWM in Production Notes.
  • A detailed look at the Fact of Fiction of 1980’s Meglos.
  • The Blood of Azrael – the first part of a new comic strip adventure for the Doctor and Clara.
  • The Time Team welcome Donna aboard the TARDIS as they watch Partners in Crime
  • A preview of the recently rediscovered The Web of Fear on DVD.
  • A review of the newly released Moonbase DVD from Matthew Sweet.
  • Jacqueline Rayner debates the ethics of telling the truth to her children in Relative Dimensions.
  • The Watcher his favourite Doctor Who planets, and outs another helpless supporting artiste in Wotcha!.
  • Reviews of the latest DVDs, CDs and books.
  • Competitions, puzzles, and much more!

DWM 470 is on sale from Thursday 6 February 2014, priced £4.99.

Thanks to Tom Spilsbury

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THE OTHERS

THE OTHERS

Bill Evenson, Robert Franks and Greg Bakun are the life-long Doctor Who fans behind a podcast calling itself The Others.

The Others review DVD releases, share their insights into the ongoing missing episodes omni-rumour saga, their thoughts on new episodes and provide their own commentaries for stories from the programme’s classic era.

The Others website says:

We are life-long fans of Doctor Who. We know what we like and are not afraid to say what we don’t like. We know what a time-vector generator is and how many times Eileen Way appeared in the series (and yes, THAT one counts). We know our Adrics’s to our Zoe’s and Hartnell’s to Capaldi’s; our Delgado’s to Simms and our Kilgariff’s to Banks. We love every story with a ‘G’ in the story code along with every ‘Planet of…’ We may not always share the mainstream view of the series but any criticism we make is because we care deeply about this show.

We want to talk about Doctor Who and we invite you to listen. We are The Others.

These guys really love Doctor Who and their enthusiasm makes this podcast one of the best ones around and well worth checking out.

LISTEN TO THE OTHERS

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THE DOCTOR WHO PUBCAST #11

This month the Pubcast duo become a trio as Producer Gem joins Simon and Nick as they talk their way through the worlds of Doctor Who.

This Months they discuss The Time of the Doctor, The Enemy of the World and a random topic so random it’s going to have to be heard to be believed.

 Thanks to Nick Headley

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THE EVIL OF THE DALEKS TEST ANIMATION

Below are the test animations for the two Doctor Who stories The Tenth Planet and The Evil of the Daleks , both done by Qurios, the company that produced the two animated episodes of The Ice Warriors.

Please note The Evil of the Daleks is not scheduled for release on DVD and the animation above was produced purely as a test. Also the animation for The Tenth Planet featured on the DVD release was produced by another company.

The test animations were uploaded by Chris Chatterton.

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DOCTOR WHO SCRIPT FOR AUCTION

scriptA shooting script from Doctor Who series four is being offered for auction to raise money for the National Literary Trust.

The signed script was used by actor Steve Pemberton who played Strackman Lux in the two-part 2008 story Silence in the Library and Forest of the Dead.

The script is dated 11th January 2008 and signed by the actor.

Bids can be made at the NLT Auction website.

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AN ADVENTURE IN SPACE AND TIME – SOUNDTRACK

[singlepic id=739 w=200 h=200 float=right]An Adventure in Space And Time
Release Date: 3rd March 2014
Released By: Silva Screen

Composed by Edmund Butt
Performed by The Chamber Orchestra of London
Conducted & orchestrated by Geoff Alexander
Recorded at Abbey Road Studios “Studio 1” London

This special one-off drama that travels back to 1963 to see how Doctor Who was first brought to the screen. Actor William Hartnell felt trapped by a succession of hard-man roles. Wannabe producer Verity Lambert was frustrated by the TV industry’s glass ceiling. Both of them were to find unlikely hope and unexpected challenges in the form of a Saturday tea-time drama. Allied with a team of unusual but brilliant people, they went on to create the longest running science fiction series ever made.

Composer Edmund Butt is well known for scores for Sea of Souls, Murphy’s Law, Mistresses, Life on Mars and Ashes to Ashes. He is the Winner of the 2011 RTS Award for Best Television Score for Garrow’s Law. In 2012 Ed was nominated for RTS Award for Best Original Title Theme for Without You.

Mark Gatiss, writer of An Adventure in Space and Time, says:

Making ‘Adventure’ was a wonderful experience. The whole team were absolutely dedicated to the project, going the extra mile (or parsec) to create that smoggy early 60s world where so much seemed (and was) suddenly possible. And none more so than Edmund Butt whose gorgeous score is one of the highlights of the film. I’ve been completely overwhelmed by the response to the film. It was a very special project from the outset and I know Ed’s soundtrack will continue to thrill and delight for, well, the rest of space and time…

Track Listing:

  1. MAIN TITLE – AN ADVENTURE IN SPACE AND TIME (0:38)
  2. THE RIGHT MAN (1:17)
  3. THE FIRST WOMAN PRODUCER (1:21)
  4. I’VE GOT AN IDEA.. (1:34)
  5. THE DALEKS (2:52)
  6. KILL DR. WHO (1:48)
  7. WHAT DIMENSION? (1:24)
  8. THIS IS MY SHOW (1:50)
  9. AUTOGRAPH HUNTING (2:31)
  10. SYDNEY NEWMAN (1:00)
  11. SCARLETT O’HARA (1:03)
  12. PISS & VINEGAR (1:24)
  13. DRESSING ROOM (1:18)
  14. JFK ASSASSINATED (1:48)
  15. THE TARDIS (0:57)
  16. GOODBYE SUSAN (2:37)
  17. 10 MILLION VIEWERS (0:57)
  18. THE FANS (0:41)
  19. I’M SO SORRY BILL (2:45)
  20. KISS GOODBYE (1:05)
  21. MY SUCCESSOR (1:06)
  22. ISOP GALAXY (0:50)
  23. IRREPLACEABLE (1:19)
  24. THE NEW DOCTOR (3:55)
  25. TIME’S UP (1:15)

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PETER CAPALDI’S COSTUME REVEALED

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The BBC has released the first picture of Peter Capaldi wearing the new Doctor’s costume along with a press release that reads:

The Doctor has a new look as Peter Capaldi’s era officially begins.  In a picture released today by the BBC, Capaldi can be seen in the costume that will define his time as the Twelfth Time Lord in one of TV’s biggest roles.  Sporting a dark blue Crombie coat with red lining, dark blue trousers, a white shirt as well as black Dr. Marten shoes, the look was created by Doctor Who costume designer Howard Burden. 

Commenting on his costume, Peter Capaldi, said:

He’s woven the future from the cloth of the past. Simple, stark, and back to basics. No frills, no scarf, no messing, just 100 per cent Rebel Time Lord.

While lead writer and executive producer Steven Moffat added:

New Doctor, new era, and of course new clothes. Monsters of the universe, the vacation is over – Capaldi is suited and booted and coming to get you!

Charlotte Moore, Controller of BBC One, commented:

Peter Capaldi’s Doctor is officially recorded in history today with the unveiling of his new costume.  It’s sharp, smart and stylish – The Twelfth Time Lord means business.

Peter Capaldi began filming for series eight earlier this month and the new series of Doctor Who is expected to air this Autumn.

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PLANET MONDAS VERDICT: LOVE IT!

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