In 1963 Sydney Newman and Donald Wilson devised an ambitious concept that would stretch the BBC’s technical resources to the limit. In its earliest days Doctor Who was jeopardised by a fierce dispute over facilities. The programme survived, but never stopped demanding the very best from its studios and dedicated crews.

The latest Doctor Who Magazine Special Edition tells the story of the series’ sometimes difficult evolution from relatively primitive beginnings to the cutting edge of modern television production.

Packed full of all-new features and previously unseen images, this is the ultimate guide to the studio recording and filming of Doctor Who.

Highlights include:

Sections on all of Doctor Who’s major studios: Lime Grove, Ealing, Riverside, Television Centre, Unit Q2, Upper Boat and Roath Lock

  • How the original TARDIS control room was recreated for Twice Upon a Time
  • A tribute to senior camera supervisor Alec Wheal
  • Exclusive interviews with second-unit director James DeHaviland and vintage camera expert Dicky Howett
  • A guide to Doctor Who’s rehearsal rooms
  • The story behind the black-and- white remake of 2006 episode Tooth and Claw
  • Rare images from the Visual Effects Department’s model stages

Doctor Who: In the Studio is on sale now at WH Smith and all good newsagents, price £5.99. It’s also available digitally from

With thanks to those kind folks at DWM

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Doctor Who Magazine 524

Doctor Who Mag 524


Steven Moffat tells DWM: “I asked [Russell] why he was doing a novelisation, and he said, ‘Because when we’re very old, this will matter more to us than the show.’ Well, fair enough. But also, The Day of the Doctor was such a monster of a show to do, and almost certainly the biggest success I’ll ever have – so I wasn’t letting someone else do the final lap!”

Also in this issue…

The former showrunner returns to write this issue’s Production Notes column.

Inside the Los Angeles convention that’s renowned as one of the greatest Doctor Who events in the world.

An exclusive preview of the ambitious new game starring Michelle Gomez as Missy and Ingrid Oliver as Osgood.

Impressionist and Doctor Who fan Jon Culshaw answers randomly selected questions from the TARDIS tin.

The life and career of the actor who played Nyder in the classic 1975 story Genesis of the Daleks.

All the Doctor Who releases from the record company run by the BBC from the late 1960s to the early 1990s.

The untold story behind the creation of Doctor Who’s 2010-17 logo.

The DJ and drummer is interviewed about his remarkable Doctor Who-themed album New Adventures in Time & Space.

Christel Dee’s guide to cosplaying the Doctor’s distinctive orange spacesuit.

Exploring the hidden depths to the 2015 story Sleep No More.

Part one of a new comic strip adventure written by Scott Gray and illustrated by John Ross.

News, previews, book and audio reviews, competitions, The Blogs of Doom and much more!

Doctor Who Magazine 524 is on sale now, price £5.99.

With thanks to those kind folks at DWM

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Doctor Who Magazine 523

Doctor Who Mag 523


Matt Strevens – who also produced An Adventure in Space and Time – is working alongside Chris Chibnall to bring the 2018 series of Doctor Who to our screens. “You get to ask for a new TARDIS and cast a new Doctor – the childhood me could never have imagined it.”

Also in this issue…

Doctor Who’s showrunner discusses the new logo and remembers his years as a teenage

Michelle reflects on her time playing Missy in this exclusive interview.

Dan ‘Strax’ Starkey answers randomly selected questions from the TARDIS tin.

A tribute to the late writer, whose stories include The Stones of BloodThe Leisure Hive and the original version of City of Death.

New insights and previously unseen images from the designers who created one of Doctor Who’s best-known logos.

An interview with the actor and YouTube star, acclaimed for his uncanny Doctor Who

The inside story of a unique record-breaking attempt.

How and why did this performance artist recreate the 1973 story Frontier in Space in its
original location?

Christel Dee’s guide to making your own Time Lord collar.

Exploring the 2011 story The Doctor’s Wife.

The final instalment of this comic strip adventure featuring the Doctor and Bill, written by Scott Gray and illustrated by Martin Geraghty.

The Blogs of Doom, season survey results, previews, book and audio reviews, news, prize-winning competitions and much more!

Doctor Who Magazine issue 523 is on sale now, price £5.99.

With thanks to those kind folks at DWM

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The PMF Grumpcast II – Grumpcast of the World: Special Edition

After a failed interview with the super special guest, Eric, Richard and Servo play Parse the Parcel, take a look at The Enemy of the World Special Edition and have a few titters along the way.

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“So we’re stowaways?”

“I prefer the term surprise guests.”

 Ooh, I do like a good whodunnit. Mix in some SF, and the result can be great. But you have to be careful to play fair with the reader/listener. Your audience should have a chance to solve the mystery ahead of your sleuth – (their reaction when the culprit is revealed should be “Of course, how could I have missed that?” rather than “Huh?”) And of course this becomes even trickier when there is the possibility that some futuristic technology was used to carry off the perfect crime. Isaac Asimov managed to pull off classic SF whodunnits in “The Caves of Steel” and “The Naked Sun”, and Larry Niven has done so in numerous short stories. They succeeded because despite the futuristic setting, the solutions always relied on things the reader knew, not just the characters and their motives, but relevant facts about the operation of matter transmitters and the Three Laws of Robotics.

 Does “Serpent” manage the same standard? Well, not quite, but it does quite well.

 Like “The End of the World”, it’s set in an ideal situation for a murder mystery – a space station which no one can enter or leave, in which members of a rich family have gathered for the funeral of one of their little-loved members, and more importantly to find out who inherits his fortune. Almost as soon as the will has been read, his relatives start being murdered in rapid succession. It looks as though the goal is the inheritance, but is that answer too easy? After all, the obvious suspect will clearly be the last man (or woman) standing. Maybe the money is a distraction and the real objective is possession of a painting rescued from the Second World War by a time travelling archaeologist, which has mysteriously gone missing…

 I found this great fun, with the same TARDIS crew as ‘Ghost Walk” investigating while, of course, coming under suspicion themselves. The Doctor claims to be ideally placed to play detective because he’s “read every Agatha Christie from cover to cover” – I suspect he isn’t including the Mary Westmacotts or the adventures of  Mr Harley Quin (yes, I’m afraid I actually have read every Christie) – and this adventure is, indeed, rather reminiscent of her works, with a cast of somewhat stereotyped (but amusing) suspects, and the murders suitably cunning. And without giving anything away, the culprit (or culprits) do, in fact, use a plot device that appears in at least one Christie whodunnit.

 So, why the “not quite” above? I will try to tread carefully here, not wishing to spoil anything for anyone, and just say that the solution was rather too convoluted, and the important twist involved rather more technobabble than it should have done – both in my opinion, of course. So, if you want to work out how various things were done ahead of the big reveals, well, the answer to one of the minor puzzles is blindingly obvious (and I can only assume the investigating office had never been on a space station before, since he completely missed it), while the answer to the main crime will involve careful attention to details, and possibly a few leaps of the imagination.

 That said, this is in many ways a classic Dr Who scenario, and none the worse for it. The cast carry off their roles with their usual flair, the incidental music has an 80s Who vibe, the pacing is good, there is plenty of humour and a small dash of social comment. The setting didn’t grab my imagination to the same extent as the one in “Ghost Walk” but a space station, even one with every luxury on tap, inevitably tends to come across as a little sterile.

 8/10 – recommended, with a couple of minor caveats.

Written by Liz R


This title was released in March 2018. It will be exclusively available to buy from the BF website until April 30th 2018, and on general sale after this date.

You are cordially invited to Argentia, the galaxy’s most exclusive tax haven, to attend the funeral of mining magnate Carlo Mazzini. The memorial service will be followed by music, light refreshments, and murder!

Carlo’s heirs have come to say their final goodbyes (and find out how much they’ve inherited) but when a masked killer begins picking them off one by one, Argentia goes into lock-down, closed off behind its own temporal displacement field.

Can the Doctor, Nyssa, Tegan and Adric apprehend the murderer before Argentia – and everyone on board – is forever cut off from the rest of the Universe?

Written By: David Llewellyn
Directed By: Barnaby Edwards


Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Samuel West (The Mazzini Family), Phil Cornwell (Superintendent Galgo / Zaleb 5), Sophie Winkleman (Sofia). Other parts played by members of the cast.

Producer David Richardson
Script Editor Guy Adams
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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The PMF Grumpcast

Eric and Servo take an often cheesed-off look at TUAT (however that’s pronounced), the politics of Moffat, the next Doctor, collecting the Target books and upcoming releases then take a deep dive into the dreaded Omnirumour… and all in under an hour.

Thanks to Ericthehalfabee and Servorobot

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“This is how the world ends, Leanne – on a rainy day.”

There is something lurking in the catacombs beneath the city, something that may or may not be supernatural. Leanne runs a Ghost Walk. She takes tourists to visit the most haunted sites – the Hanging Yard, the Witch Pool, and the catacombs. Like any tour guide, she tries to make the experience as spooky as possible, but doesn’t herself believe a word of it – until she starts to hear a voice inside her head telling her that something sinister is going on, something which could lead to the above quote coming true.

The voice may or may not be a ghost – but listeners will immediately recognise it as the Fifth Doctor.
And so begins a clever, tense story that cuts back and forth between the present and the 18th century, that has lashings of atmosphere, pace and characterisation, especially from Fenella Woolgar as Leanne. And despite the fact that we think we know what ultimately becomes of Tegan, Nyssa and Adric, not to mention the Doctor himself, one of the sign of how good the writing is are the moments where I was genuinely wondering how they’d get out of this one.
The companions all get a piece of the action and come across well, but the highlights are Leanne and the Doctor. If you thought that Peter Davison was a bit too young for the role at the time, as he himself does, then it’s nice to see, or at least hear, the “grown up” version. Despite his apparently ghostly status, the Doctor isn’t a passive witness to events, getting in some timey-wimey shenanigans and a bit of bricklaying, amongst other things.

We have, of course, been over somewhat similar ground before. “The Daemons” came to mind in places (at one point I was wrongly convinced that a certain character would turn out to be the Master). However, that is almost inevitable given the programme’s long history, and “Ghost Walk” certainly has enough that makes it different, including the delightful idea of “Schrödinger’s Doctor” – about which I will say no more (or will I?)

Another tribute to the writing (perhaps a bit back-handed) is that certain things that might easily have jarred were carried off with sufficient aplomb to be overlooked, at least by this reviewer. Comparing psychic projection with email – “I’m the Doctor. I’m the link you shouldn’t click” made me LOL rather than cringe, and a few historical anachronisms that may have grated in the hands of a lesser writer just raised a smile (torches and pitchforks? Ducking stools being used on witches?) This was helped by the fact that they weren’t gratuitous, but vital to the story – as were all the tourists’ destinations mentioned above.

In fact the whole thing fits together very nicely, each part clicking into place like a Key to Time. Highly recommended.

Written by Liz R


This title was released in February 2018. It will be exclusively available to buy from the BF website until March 31st 2018, and on general sale after this date.

This is a city of ghosts and no-one knows them better than Leanne. Twice a night she leads tourists to visit the most haunted sites – the Hanging Yard, the Witch Pool, the Screaming House, and, of course, the Catacombs.

Leanne’s realised the ghosts of the city are real. Something’s lurking in the Catacombs – an ancient force that has been growing in the darkness for centuries. Sabaoth is returning and they must be stopped before they devour the world. Leanne knows this, because a ghost told her.

A ghost called The Doctor.

Written By: James Goss
Directed By: Barnaby Edwards


Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Fenella Woolgar (Leanne), Sacha Dhawan (Matthew), Stephen Greif (Sabaoth), Carolyn Seymour (Mrs Stubbs), Philip Childs (Giles), John Banks (Louie), Rebecca Tromans (Nancy)

Other roles played by the cast.

Producer David Richardson
Script Editor Guy Adams
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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The Essential Doctor Who: Science and Technology

The Essential Doctor Who 13The Essential Doctor Who: Science and Technology

Ever since the TARDIS was first revealed in 1963, Doctor Who has presented a bewildering array of alien technology and gadgetry. Human scientific knowledge can do nothing to explain the mysteries of the astonishing devices and phenomena that the Doctor takes for granted.

This is the first publication devoted to the incredible ideas that the series has made its own.

Highlights include a comprehensive guide to the sonic screwdriver, the secrets of the Time Lords and the weaponry of the Doctor’s most dangerous enemies.

The Essential Doctor Who: Science and Technology is published on 22 February, priced £9.99. It’s available from WH Smith and as a digital version from

With thanks to those kind folks at DWM

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DWM 522


Issue 522 also sheds new light on the Dalek craze of the 1960s, as agent Beryl Vertue and writer Brad Ashton remember the roles they played. “The Daleks were really the beginning of the BBC handling merchandise,” says Beryl. “None of us really knew what we were doing, so one might say we invented it.”


In the 1960s Beryl Vertue was Terry Nation’s agent – now she’s Steven Moffat’s mother-in-law! Beryl discusses an association with Doctor Who that began before the first episode was even transmitted.

The comedy writer recalls his friendship with Dalek creator Terry Nation and the role he played in The Dalek Outer Space Book.

How did the Daleks become so popular in 1964? And why did they suddenly disappear three years later?

The BBC’s archive gives up its Dalek secrets – including details of the prototype toys that were never manufactured.

Previously unpublished quotes from the last four years reveal a new side to the man who played the Twelfth Doctor.

Comedian, Strictly Come Dancing favourite and now Doctor Who writer – Susan Calman discusses her love for the Time Lord in this exclusive interview.

The organiser of Comic Relief’s ‘Breakfast with the Doctors’ event explains how she managed to unite seven Time Lords, two companions and a showrunner.

In the first part of a new regular feature, Christel Dee presents a guide to recreating Ace’s jacket.

A detailed survey of Doctor Who’s television ratings during the Peter Capaldi years.

This issue’s Fact of Fiction explores the 2006 story featuring the Tenth Doctor and Rose.

Part Four of The Phantom Piper, a new comic strip adventure featuring the Twelfth Doctor and Bill.

The Blogs of Doom, previews, reviews, news, prize-winning competitions and your letters.

Doctor Who Magazine 522 is on sale from Thursday 8 February, price £5.99.

With thanks to those kind folks at DWM

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At the end of 2017 a remarkable chapter in the history of Doctor Who draw to a close. Two incarnations of the Time Lord overcame an existential threat…  before the arrival of the Thirteenth Doctor heralded a bold new era for the programme.

The latest Special Edition of Doctor Who Magazine is a unique celebration of the Twelfth Doctor’s final adventures, from The Return of Doctor Mysterio through to Twice Upon a Time. Packed full of all-new features and previously unseen images, this is the essential guide to the year in Doctor Who.

Highlights include exclusive new interviews with:

  • Joe Browning, Jimmy Mann, Gary Pollard and Kate Walshe (Millennium FX)
  • Ysanne Churchman (the voice of Alpha Centauri in Empress of Mars)
  • Matthew Clark (graphic designer, 2017 series)
  • Rachel Denning (Erica in The Pyramid at the End of the World)
  • Mark Gatiss (Captain Lethbridge-Stewart in Twice Upon a Time)
  • Stephanie Hyam (Heather in The Pilot and The Doctor Falls)
  • Adele Lynch (Iraxxa in Empress of Mars)
  • Rove McManus (host of Australian show Whovians)
  • Rachel Talalay (director of three episodes in the 2017 series)
  • Alexandra Tynan (designer of the original Cybermen)

Editor Marcus Hearn says: “The latest Yearbook is out a little later than usual, because we wanted to complete our coverage of the Twelfth Doctor’s stories by including Twice Upon a Time. This issue covers more episodes than any previous Yearbooks, but there are many other fantastic articles in there too. We hope this is a great souvenir of an incredible era.”

The Doctor Who Magazine Yearbook 2018 is on sale now at WH Smith and all good newsagents, price £5.99.

With thanks to those kind folks at DWM

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“It’s the end, but the moment has been prepared for” – ladies and gentlemen this is my last review for Planet Mondas, real life has finally caught up with me leaving me time poor, but before I hand the baton over to Martin & Liz I have one more review, one more chance to offer my overly wordy, far to flowery opinion. And this release I am reviewing is an absolute corker and deserves not only a musical interlude but a musical introduction:
That was rather good wasnt it and a fitting introduction to The Diary of River Song Series 03, in fact it deserves a GIF as well (no expense spared on my last review)
Because this release is rather special, I have been reviewing Big Finish since October 2013 and this is one of the very best I have had the honour to listen to it really has everything – its a part sequel to the series 06 story arc involving Kovarian’s attempt to assassinate The Doctor at Lake Silencio, its an almost traditional Doctor Who story with a mystery to solve in historical times, its a surreal almost Lynchian take on “timey-wimey” involving multiple courses at an  an exclusive restaurant and its a reminder that time must always stay on its course and that a fixed point is a fixed point. Intrigued? Well read on.
I make no secret that I adore River Song – I am as far from a Moffat cheerleader as you could possibly get but she is a wonderful character with so many layers – on the surface she seems confident, glamorous, flirtatious and tough but underneath there is the little girl stolen away from her parents and raised by a monster to become a killer – River is a complicated space/time event, she is also The Doctor’s wife (though not all of the Doctor’s incarnations know it) and this time she joins up with The Fifth Doctor (Peter Davison) and his companion Brooke (Joanna Horton), but more on her later….
Four stories later, one central mystery, one fixed point, several regeneration and load of club card points later the tale is told, the price is paid and River carries on. – the set is split into four interconnected stories:
3.1 The Lady in the Lake by Nev Fountain
So imagine that there is a place called Terminus Prime where you can choose the nature of your demise be it heroic, fantastical or just plain daft – shouldn’t get a lot of repeat custom should it? But unfortunately River has access to the galactic Club-card database and has realised that several people make several journeys there and that these several people all had something in common – Demos Run. It starts as a bit of a light farce, what with employees called Kevin dressed as Death from the Seventh Seal but having to keep their name badge on :-) and ends in abject heartbreak for River – this is the sort of drama that turns from one to another on the head of a pin, Neve Fountain is such a skilled writer one moment satirising the tedium of corporate protocol the next pulling the rug out from under you doing something which is far too spoilery to discuss. Alex Kingston hits the ground running as River, but also plaudits to Ian Cunningham as Kevin and Sophia Carr-Gomm as Lily.
3.2 A Requiem for the Doctor by Jac Rayner
How did Mozart die, was he murdered after he finished composing his requiem? The Doctor )peter Davison), River and Brooke (Joanna Horton) are in Vienna to try to find out – River is her usual flirty, intellectual, confident self around Five and he seems a bit bothered and bewildered by her familiarity all stiff upper lip and english whilst Brooke doesn’t seem to like her at all, in fact she is downright jealous of her relationship and seeming familiarity with HER Doctor – set to the backdrop of a mystery to find a killer and prevent it literally going viral is this game of one upmanship, of carefully calculated chess between River and Brooke with the Doctor seemingly oblivious but probably knowing what is going on all along. A triumph of plotting and pacing acted to perfection.
3.3 My Dinner with Andrew by John Dorney
Ok, forget everything that has gone before, forget “timey-wimey” this takes it to a whole new level – hold on to your chronometers because you aint seen nothing yet! The Bumptious Gastropod is an exclusive restaurant outside the normal rules of causality – and it is here that The Doctor dies, it is here that Madam Kovarian (Frances Barber) has established a new fixers point in time to ensure that it does happen. It is also here that several versions of River, The Fifth Doctor, a very bemused man called Andrew and a very knowledgable Maitre D’ make their marks on the story. Its upside down, its back to front, its almost farce like in its presentation and it is truly a wonderful piece of writing everything just sort of dovetails together quite nicely – it does require active listening but it is incredibly rewarding.
3.4 The Furies by Matt Fitton
And so the end with tales of Furies haunting the mind of Madam Kovarian (Frances Barber) and memories of the childhood she lost haunting River, with causality collapsing and new powers making their play in this brave new Universe can a crime committed be put right? Is the life of one innocent worth, well everything? Its deep dark and stirring stuff and left me with a feeling of unease at the resolution, its very River but certainly not very Doctor. Our two leading ladies Alex Kingston and Frances Barber verbally spar, chew the scenery, spit venom and bristle with rage – their scenes are just so visual and the reprise of the “tick tock goes the clock” motif from series six adds a sinister and melancholy edge to proceedings. Not how I would have wanted it to end, not how the Doctor would have wanted it to end but the only way it could end and bravo Matt Fitton for ending it that way.
And that is that (until the next series in August featuring Sir Tom Baker no less) and what an epic box set, but also what an intimate exploration of the darker recesses of River’s mind and her all consuming love for the being we know only as The Doctor, her love is all encompassing and sometimes The Doctor doesn’t even know who she is – thats River’s tragedy and what drives her onwards.
I cannot recommend this box set enough, even if you ever not that keen on River on TV give this a go and you will be pleasantly surprised by her depth of character.
I sign off on my last review by awarding 10/10 and also would like to end with a song which I find very River-esque. Thanks all.
Written by Ed Watkinson


This title was released in January 2018. It will be exclusively available to buy from the BF website until March 31st 2018, and on general sale after this date.

3.1 The Lady in the Lake by Nev Fountain

On Terminus Prime, clients choose their own means of demise. Something exciting, meaningful, or heroic to end it all.

But when River discovers that there are repeat customers, she knows something more is going on.

She begins to uncover a cult with worrying abilities. Its members can apparently cheat death, and that’s not all they have in common with River…

3.2 A Requiem for the Doctor by Jac Rayner

River has joined the Doctor and his friend Brooke on their travels, and they stop off in 18th century Vienna.

Brooke thinks history is dull. Until people start dying.

Mozart’s legacy is not just his music. River has more than one mystery to solve before a killer is let loose on the people of Vienna – and on the Doctor.

3.3 My Dinner with Andrew by John Dorney

Welcome, Mesdames et Messieurs, to The Bumptious Gastropod.

The most exclusive, most discreet dining experience outside the universe. For the restaurant exists beyond spacetime itself, and the usual rules of causality do not apply. Anything could happen.

It is here that the Doctor has a date. With River Song. And with death.

3.4 The Furies by Matt Fitton

Stories of the Furies abound across the cosmos: vengeful spirits hounding guilty souls to death. Madame Kovarian taught them to a child raised in fear, trained to kill, and placed inside a spacesuit.

Kovarian knows the universe’s greatest threat, the Doctor must be eliminated. An assassin was created for that purpose.

But if Melody Pond has failed, Kovarian will simply have to try again…

Written By: Nev Fountain, Jacqueline Rayner, John Dorney, Matt Fitton
Directed By: Ken Bentley


Alex Kingston (River Song), Frances Barber (Madame Kovarian), Peter Davison(The Doctor), Ian Conningham (Kevin / Rindle), Julia Hills (Sharon / Rindle), David Seddon (Mr Quisling / Tarn 2), Leighton Pugh (Lake 2 / Dave / Tarn), Sophia Carr-Gomm (Lily), Joanna Horton (Brooke), Issy Van Randwyck (Giulia), Rosanna Miles (Antoinette / Maid / Constanze), Teddy Kempner (Viktor / Mozart / Stefan / Apothecary), Jonathan Coote (Maitre D’ / Chef / Assassin), Nina Toussaint-White (Brooke 2), Francesca Zoutewelle (H-One / H-Two / Mission Captain), Pippa Bennett-Warner (O / The Deterrent). Other parts played by members of the cast.

Producer David Richardson
Script Editors Matt Fitton, John Dorney
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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This story is many things – its a farce, its a Shakespearian pastiche, its a satire on the Royal Family, its a comedy painted in broad strokes, its a story of hidden nuances and it is also rather entertaining. It has the feel of a mid era Hartnell historical so think The Romans or The Myth Makers and you are about the right level – Brian Rix farce on the one hand political intrigue and machinations on the other.

Landing on the Planet Cicero Prime The Doctor (Peter Davison), Tegan (Janet Fielding), Nyssa (Sarah Sutton) and Adric (Matthew Waterhouse) discover a painted line on the floor in the woods of a seemingly Medieval world – with Adric and Tegan standing on one side and The Doctor and Tegan on the other they are captured and find out that the line is a literal dividing line in the Duchy that they have arrived in as the Duke Sebastian (Jonathan Firth) and Duchess Miranda (Charlotte Lucas) are having some pretty severe marital problems and have taken matters into their own hands to resolve the situation. Amicable reconciliation is not on the agenda, in fact The Duke (who has captured The Doctor and Nyssa on his side of the line) has hired an assassin known only as “The Scorpion” to permanently solve his marital problems, unfortunately for The Doctor and Nyssa (or Nyssa “The Destroyer” who kills for fun” as Nyssa calls herself in possible the deliberately least convincing portrayal of bravado I have witnessed :-) ) the Duke believes The Doctor to be The Scorpion and the next few episodes are spent with The Doctor trying to appear that he  is trying to carry out the killing without actually doing it….

Adric and Tegan fare no better, captured by the Duchess they convince her they are protectors from the Order of Alzarius here to thwart The Scorpion…
Its pure Shakespearian farce with both parties working against each other and hilarity ensuing. Until the final episode when the tone changes completely and the larks and misunderstandings of episodes one to three give way and the true seriousness of the situation is brought to the fore.

There is a lot to this story, it is very multi layered and once again demonstrated that the Doctor doesn’t have to use violence to succeed, quite the opposite The Doctor just has to be the cleverest person in the situation, which he is by a long way and is light years ahead of everyone else in the plot. Davison is on fine form and clearly having a ball with the quite comedic material he is presented with and genuinely owns the story ably assisted by his sidekick Nyssa who as I said before is the least convincing bloodthirsty killer you could ever imagine.

The story does stand up to repeated listens as the pace of all the shenanigans, crosses, double crosses and even triple crosses can make your head spin – the plotting is tight and there is not a line wasted.

Doctor Who can be heavy going and some of the best stories are the grim ones but its great to let the story tellers and actors kick back and have some fun once in a while and this story is just that, a great fun start to the year to brighten a grim January 8/10.

Written by Ed Watkinson


On the planet Cicero Prime, the kingdom of Cardenas is divided, with the whole population forced to swear allegiance to either the effete Duke or the fiery, hard-edged Duchess. This is a situation both parties have grown tired of. What use is half a kingdom when, thanks to a carefully engineered murder, you could have it all?

Surely, neither of them would be rash enough to summon the deadly off-world assassin The Scorpion to help with their problem? And surely, this terrifying figure wouldn’t arrive wearing a long cream coat and striped trousers…?

Written By: Robert Khan and Tom Salinsky
Directed By: Barnaby Edwards


Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Jonathan Firth (Sebastian, Duke of Cardenas), Charlotte Lucas (Duchess Miranda), Harriet Thorpe (Amelia), Tim Bentinck (Lord Crozion), Richenda Carey (Lady Crozion), Piotr Hatherer (Tomek), Patsy Kensit(Mercenary), Harry Smith (Additional Voices). Other parts played by members of the cast.

Producer David Richardson
Script Editor Guy Adams
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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A new year and a new way of dong things for the Fourth Doctor Adventures at Big Finish – perhaps inspired by the “box set” and “binge watching”  craze brought on by Netflix (guilty as charged all of Stranger Things 2 in a weekend, 4 series of Once Upon A Time in two months) Big Finish have decided to release season 7 of the Fourth Doctor in two singable boxsets rather than monthly releases. And it works better this way, gives you just enough of Tom and Louise Jameson to keep you satisfied but definitely leaves you wanting more. Taken as sole releases the stories may seem a little disjointed but listened to as a box set as designed the subtleties of the character development and continuity become apparent – there is no “arc” as such (apart from stories three and four making an old fashioned four parter) but there is a cohesiveness of purpose and there does seem a definite purpose to the stories.
So we are back in late season 14/early season 15 – the first two stories have a distinctive Hinchcliffian feel whereas the concluding two parter is a WIlliamsesque wonderland of ambition over production values that would never have worked on TV but on audio? well the pictures are always better on audio aren’t they?
The Sons of Kaldor by Andrew Smith
Who wants a sort of semi sequel to “The Robots of Death”? anyone? I can imagine a sea of hands raised in anticipation and I am happy to say Andrew Smith delivers.
Set on a deserted spaceship the Doctor and Leela encounter Voc robots and a sleeping commander who they decide to revive they are given an update on the situation – the ship was hunting the “Sons of Kaldor” an armed separatist movement that wants to overthrow the government of Kaldor and reinstate the founding families as rightful rulers. What we get is a tense political thriller with stakes raised higher and higher that is real seat edge stuff.
The Crowmarsh Experiment by David Llewellyn
This one couldn’t be any different from its predecessor, almost a “Doctor-lite” story that gives us a chance to appreciate what an incredible talent Louise Jameson is and how lucky we are to have her in the world of Doctor Who.
Leela and the Doctor are attacked soon after landing on an alien planet. Or are they. Leela awes in The Crowmarsh Institute on Earth in 1978, everyone is referring to her as Doctor Marshall – apparently she has been testing experimental dream therapy equipment and taking time to adjust to reality again. But what is reality? and why is she in the institute?
This is an outstanding story – our perceptions are played with, the nature of reality is explored and some pretty deep questions are posed about what we perceive to be real. I can just imagine this on TV at the tail end of the Hinchcliffe era getting Mrs Whitehouse up on her high horse about warping children minds – yes its that good.
The Mind Runners/The Demon Rises by John Dorney
Whereas the first two releases were small scale and could have easily been realised on TV in 1977 this one would have gone along the same road as The Krikkitmen and The Killer Cats of Ginseng – wonderful ideas, astounding concepts but utterly impossible to realise on a BBC budget. Luckily audio has an unlimited budget and stories of this scale can be given the production they deserve.
Trying to take Leela to New York the Doctor mistakenly arrives on the Planet Chaldera and they are soon involved in a mystery of why “Mind Runners” – citizens who detach their consciousness and attach it to others for a ride along are being killed off, the Planet Chaldera is dying and a rocket is being built as a means of escape but nothing really makes sense – what is the “Night Mind” a demonic force said to possess the planet? why are the cult of The Digitals and the enigmatic Mr Shift so invested in what is happening? and is anyone going to get out alive? This is a fast paced story and has Tom in full buffoon mode with an excellent supporting cast including Josette Simon as Officer Taraneh and Andy Secombe as Mr Shift, a slimy villain who can literally shift his form into anything he likes. All the characters, all the players even the setting are only window dressing for a greater and more diabolical plan that has been hatching for a very long time. This feels in almost equal parts Blade Runner directed by David Cronenburg run through a Douglas Adams filter – make of that what you will but it really is a cracking Doctor Who story.
So there we have it, an excellent start to 2018 for Tom Baker and Big Finish, just enough to satisfy with the hint of more to come and business not quite yet completed. A binge-worthy 9/10.
Written by Ed Watkinson


The Sons of Kaldor by Andrew Smith

Finding themselves in a seemingly deserted spaceship on an alien world, the Doctor and Leela stumble into some familiar foes – the Voc robots from the planet Kaldor – and… something else. Something outside. Trying to get in.

Reviving the robot’s Kaldoran commander from hibernation, the travellers discover that they’ve found themselves in the middle of a civil war. The ship was hunting the Sons of Kaldor, an armed resistance group working with alien mercenaries to initiate regime change on their homeworld.

But now the Sons of Kaldor may have found them. The Doctor and Leela will have to pick a side. Or die.

The Crowmarsh Experiment by David Llewellyn

When attacked on an alien world, Leela falls unconscious… only to wake in another time, another place.

She is in the Crowmarsh Institute on Earth, in London, in 1978, and everyone is calling her Doctor Marshall. They tell her the world she has known is but a fantasy, a delusion, and that this place is the one that is real.

Surrounded by familiar faces on unfamiliar people, Leela knows what is true and what is false. But how long can she believe when everyone around her says it’s a dream? What’s really happening here?

The Mind Runners by John Dorney

It used to be fun, Mind Running. Hopping into the heads of total strangers to see what they saw, feel what they felt. But one by one the Mind Runners are dying in a wave of suicides. And no-one on the planet Chaldera knows why.

The Doctor, Leela and K9 arrive in the city that covers all of this dying world as it prepares to evacuate its people, and they immediately find themselves involved in a mystery. Who or what is responsible for the wave of death? Is it the motorised cult known as the Digitals? The enigmatic Mr Shift?

Or did all the victims attempt to run the Night Mind, the demonic consciousness of legend that is so twisted and evil that it drives mad all who touch it?

The TARDIS crew are about to find out.

The Demon Rises by John Dorney

A killer has been uncovered, but the mystery is far from solved. The Doctor, Leela, K9 and their friends are on the run, pursued from all sides. All the clues point to one place – but getting there alive may prove impossible.

Something horrific is happening on Chaldera… and it has been happening for longer than anyone could possibly have realised. Now every life on the planet is at stake. Bar one.

The dark secret at the heart of this world is about to be revealed.

Written By: Andrew Smith, David Llewellyn, John Dorney
Directed By: Nicholas Briggs


Tom Baker (The Doctor), Louise Jameson (Leela), John Leeson (K9), Martha Cope (Commander Lind), Oliver Dimsdale (Rebben Tace), Toby Hadoke (V26), John Dorney (Brin / SV9 / V12 / Gary), Cathy Tyson (Jennifer), Damian Lynch (Colin Marshall), Julian Wadham (Dr Holman), Dan Starkey (Linus Strang), Josette Simon (Taraneh), Sarah Lark (Jacinta), Alex Wyndham (Raph), Robert Duncan (Krayl / Sternwood / Eldren), Andy Secombe (Cloten / Shift), Justin Avoth (Cain). Other parts played by members of the cast.

Producer David Richardson
Script Editor John Dorney
Executive Producers Jason Haigh-Ellery and Nicholas Briggs



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Is it 2018 already? wow 2017 just sped by didn’t it and one of the last releases of 2017 becomes my first review of 2018 the much anticipated releases of The First Doctor Adventures Volume 1. Now then, if you don’t know already Big Finish have done something  very brave with this set, rather than casting Carole Ann Ford As Susan & William Russel as Ian and doing this Companion Chronicles or Early Adventures style they have recast using the team from An Adventure In Space and Time so sit back, relax and enjoy David Bradley as The Doctor, Jamie Glover as Ian Chesterton, Jemma Powell as Barbara Wright & Claudia Grant as Susan. But does it work? Well the answer is a resounding YES, not because they are dead ringers for the originals but because they are NOT playing Hartnell playing The Doctor or Hill playing Barbara but they are playing the characters of The Doctor, Ian, Barbara and Susan from the page, interpreted from the script not from the performances we have seen before – yes there are similarities but the roles are the Time and Space casts to own for themselves and boy do they do it well.
Of course I did find myself comparing with the original cast in the first few minutes but soon got used to the new voices playing old favourites much aided by having see Bradley play the First Doctor in the Christmas Special on TV a few days prior. But performances are only one of the ingredients that make a production successful there are also the scripts, the direction and the music – well you will pleased to read that they are all straight out of Season One the “Sci-Fi” is very 1960′s I can imagine the cast all in silver jumpsuits in 60’s style bubblegum futuristic cities and the historical is very historical in that it follows all the rules of the Hartnell era historical in which events conspire to separate our heroes it really is authentic 1960’s early Who and this first volume is made up of two stories:
1.1 The Destination Wars by Matt Fitton
Starting off with a Sci-Fi story The Doctor has seemingly brought Ian and Barbara to their own future, but we soon discover that they have arrived in the Space Year 2003 and not the actual year 2003 and the planet they have arrived on is called Destination and not Earth at all, but it does owe a lot to Earth History and its mysterious benefactor who is seen once every decade or so known only as “The Inventor” (James Dreyfus) is his rule as benign as it seems? And scratching the surface of this futuristic utopia there is something ugly and xenophobic about the seemingly enlightened futuristic population, a dark secret at the heart of their society. An old fashioned story with a very modern moral stance and lots of secrets from the Doctor and Susan’s past that come back to haunt them – as I previously stated the new regulars inhabit the roles fully never lapsing into impersonation or caricature but playing the character’s as written and James Dreyfus as The Inventor steals every scene he is in, the less you know about him the more surprising his role in the story is so DO NOT read the cast list as it contains major spoilers. Also authentic to the era this story ends on a cliffhanger to the next one.
1.2 The Great White Hurricane by Guy Adams
And ladies and gentlemen we have a bit of a classic on our hands. I much lament the loss of the “pure historical” from the series as it gives the writers the opportunity to tell stories as good as this one. Set in an historical event I had absolutely no prior knowledge of more details HERE – our heroes arrive in New York 1888 where unbeknownst to them the Great White Hurricane is about to strike – Ian is shot in the head, Susan is kidnapped by a gang member and the Doctor is given a night in the cells for his arrogance towards the local constabulary and then in the local hospital with a recovering Ian, Barbara sees the date on a newspaper and being a History teacher knows what is coming and what follows is a desperate attempt to get back to the TARDIS by all of our heroes following different paths as the winds get stronger and the snow moves in to lay siege to the city they must fight the elements and not let the gangs that rule the streets get the better of them. There is a very real sense of desperation, of the ordeal that our heroes are suffering caught up in events that they really have no control over, with no “villain” as such apart from the forces of fate and nature – the pacing is superb and the four episodes just fly by, its real seat edge stuff and following the early ethos of the show was educational too. Superb.
A very brave move by Big Finish that has paid dividends – authenticity from there scripts, professionalism in the new interpretation of the leads, pacy direction and excellent sound design, I cannot wait volume 2 to find out how things proceed. 9/10.
Written by Ed Watkinson


1.1 The Destination Wars by Matt Fitton

The TARDIS arrives in a gleaming utopia in the Space Year 2003. Has the Doctor truly brought Ian and Barbara home, to glimpse their future?

The world owes much to its legendary Inventor, and Susan finds herself face to face with the great benefactor. But soon, the time travellers are in a world at war and the Doctor must confront his past.

1.2 The Great White Hurricane by Guy Adams

Rival gangs turn streets into battlegrounds, and the Doctor and his friends are caught in the crossfire. They find themselves separated, and lost in the cold.

As the hunt for a fugitive turns ever more desperate, a blizzard descends. The snow keeps falling. And soon it will prove as deadly as any weapon…

Producer David Richardson
Script Editor John Dorney
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Written By: Matt Fitton, Guy Adams
Directed By: Nicholas Briggs


David Bradley (The Doctor), Claudia Grant (Susan), Jemma Powell (Barbara Wright), Jamie Glover (Ian Chesterton), James Dreyfus (The Master), Raymond Coulthard (Robac / Servers / Dalmari), Sian Reeves (Tanna), Deli Segal (Reena), Jackson Milner (Patrick), Cory English (Daniel), Carolina Valdes (Rosalita), Ronan Summers (O’Connell), Christopher Naylor (Policeman / Man with Ladder / Gang Member / Henry). Other parts played by members of the cast.


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The second story to pop into my inbox to review is O Tannenbaum  a William Hartnell offering from Big Finishes short story range and is a short story based on Trees with a little nod to Varga Plants and an oblique reference to Time Meddle and written by Big Finish stalwart, Anthony Keetch. O Tannenbaum is a german traditional Christmas song and also the same musically as the red flag or “Mon Beau Sapin” in French. It is very much a Christmas story and has that feel all the way through it when you listen to it. Therefore trees, especially pine trees, are very much a part of it. Central to it.
The story and narration effortlessly conjure up the images of the cottage, the forest, and drew upon a few themes in recent and past Doctor Who. It is so well done. Effortless. There genuinely is no needless exposition or dialogue to do this. It is done so well.As a Short story it is a one hander on the acting front and it is Peter Purves and it opens with a little girl in a cottage in the middle of nowhere missing her Dad who has gone into the forest while her Grandad is in bed upstairs, sadly on his last legs. Her record player plays O Tannenbaum but keeps needing to be re-wound. This, for some reason, is dropped as the story goes on. I did wonder if there was a significance of the wind up gramophone but there was not but as the story progresses you forget about it.

At the heart of this story is an environmental message. Protect nature and it will protect you, mess with it and it is coming for you big style. Are the trees malevolent, benevolent or just misunderstood. Sometimes challenging the wisdom of elders is good but sometimes it is folly.

However any issues with the cottage dwellers all seemed to be forgotten by Mother nature when the first Doctor threatened it with a smacked bottom in a sparkling piece of dialogue that had me laughing out loud while appreciating its utter magnificence too. It is exactly the sort of thing the first Doctor would have said and bravo Anthony Keetch for writing it. Having said that Sometimes the first Doctor drifted a little into parody but here, in the speech, it was spot on and brilliantly done.

Peter Purves does an great job and makes it seem so effortless. He really brings this very good story to life. I thoroughly enjoyed this story. It does draw on many themes but it was a pleasure to listen to. HE is also ruddy good as the first Doctor capturing the essence of the late, brilliant, William Hartnell in the portrayal without ever becoming a parody or bad impression.

I really enjoyed this story. It was a great listen from start to end and I would happily listen to it again. It is not perfect but it is pretty good all the same and hits the right notes for the festive season. A very worthy 8/10 for me .

Written by Martin Kinsella


Doctor Who: Short Trips Monthly is a series of new short stories read by an original cast member.

Release #36 is a First Doctor and Steven story.

“Peter Purves does an great job and makes it seem so effortless. He really brings this very good story to life” Planet Mondas

It’s Christmas time, there’s no need to be afraid…

The TARDIS has landed in a winter wonderland and the weather outside is frightful.

A world of dread and fear and it’s not just the frost that is cruel…

It’s Christmas Eve, but will the Doctor and Steven get to see another one?

And of all the trees in the wood, who really bears the crown?

Producer Ian Atkins
Script Editor Ian Atkins
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Written By: Anthony Keetch
Directed By: Lisa Bowerman


Peter Purves (Narrator)


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I think this one deserves a musical interlude to set the scene – give this a listen as it really complements the atmosphere of Static:

Go out on a high and leave them wanting more is a good philosophy to live by and by jingo do Big Finish agree if this release is anything to go by. Just when you think the quality of the Main Range cant get any better after the superb “The Behemoth” and the sublime “The Middle” they release “Static” and ladies and gentlemen we have an instant classic on our hands. There is something rather special about the team of Old Sixie (Colin Baker), Mrs Clarke (Miranda Raison) and Flip Jackson (Lisa Greenwood) they are one of those classic TARDIS teams like Tom & Sarah Jane or Troughton with Jamie & Victoria or McCoy with Ace and Bernice – they just work as a team and are a joy to listen to. But what of the story, well dear readers, read on and prepare for a tale of terror…..

For thats what Static is at its core, its a good old fashioned Horror story imbued with a feeling of creeping dread – it has all the tropes of the genre – a small group cut off from civilisation, a creepy old man, and a warning. And of course being a horror story the warnings are not heeded one little bit.

Doctor Who has a great Horror pedigree and this story puts me in mind of Image of the Fendahl, The Satan Pit and The Chimes of Midnight with a liberal addition of computer game horror Silent Hill, classic TV series The Omega Factor and a David Lynch inspired nightmare, its all about the atmosphere and it is the atmosphere that really drives the plot along and never feels derivative.

So about the plot – arriving at a caravan site in the middle of nowhere Andy Clover (Scott Chambers) and his partner Joanna (Pippa Nixon) are greeted by site owner Percy Till (David Graham), its a grim drab old place with a surrounding mist, and Percy has just one rule – no radios, no TV’s, no cassette recorders, the story is set in the early 1980’s so everything is pretty analogue :-) being a horror story and seeing that there is a football game on Andy ignores the rule and sets up the TV from his car battery. And then the static starts, and then the voices start, and then the phone rings and then the clocks stop and then….. well, that would be telling but the tension is ramped up and up I was actually holding my breath listening. And I haven’t even touched on The Doctor and his relationship with Percy Till because when he along with Mrs Clarke & Flip arrive Percy is expecting them and Mrs Clarke thinks the area is very familiar and that there was a top secret RAF base in the area, or there used to be during World War 2.

As Doctor Who stories they don’t come much more visceral and dangerous than this one, as an audio it is one of the most “visual” pieces of drama I have heard in a long time, I just imagined it filmed on early 1980’s faded film stock looking ever so slightly muted and washed out – it has that sort of feeling driven by the dialogue and the score. All of the cast are at the top of their game realising they have something rather special in this script by Jonathan Morris given the life it needed by director Jamie Anderson and the performance he elicits from the actors. Main Range Release of the year? oh I think so – 10/10 without a doubt and hooping for a sequel to tie up the many intriguing loose ends. Superb.

Written by Ed Watkinson


Deep in the heart of nowhere, near a place called Abbey Marston, there’s a caravan site. The perfect place to get away from it all. Close by, there’s a stone circle they used for human sacrifice in olden times. A little further afield, there’s an old RAF research station, where they did hushhush things in the War.

There’s only one rule: the use of radios, cassette recorders and portable televisions is strictly forbidden.

People come here to get away from it all, you see. No-one wants to hear the noise. No-one wants to hear the voices in the static…

No-one wants to hear the ghosts.

Written By: Jonathan Morris
Directed By: Jamie Anderson


Colin Baker (The Doctor), Lisa Greenwood (Flip Jackson), Miranda Raison (Mrs Constance Clarke), Scott Chambers (Andy Clover / Sergeant Webster), Pippa Nixon(Joanna Nash), Jo Woodcock (Susannah Nash), David Graham (Percy Till), Brian Protheroe (Captain Hardwick), Chris Dale (Soldiers / Static). Other parts played by members of the cast.

Producer David Richardson
Script Editor Alan Barnes
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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I recently was able to review some of the Big Finish output for Planet Mondas, and it was an honour to do so. I have not reviewed anything before so please bear with me. I hope to give a fair view of the story and give you, in the next few paragraphs, a flavour of the story and the experience I had listening to it.
The first story I had to listen to was The Wreck of the World. Most of my Big Finish listening comes from Spotify so this has catapulted me forward many years and it was an enjoyable experience overall.The Wreck of the world is set during season 6 of Dr Who and the story starts innocuously enough, and it is very well narrated, with Zoe in space effecting repairs to the blue box with the flashing light. Suffice to say things never quite go to plan and we get flung into an adventure that is pretty faithful to season 6 and the era. The Tardis manages to crash into the wreck of the spaceship, the companions split, Zoe meets a creature who sounded like Zil from the Blakes 7 story “Trial” and from there the adventure unfolds. In true sixties spirit the companions are split and meet different creatures and beings with different motivations and the episode endings are clanging reveals you can just imagine the story, had it been broadcasting, end up with the scream of the end titles and the close up on the Doctor or the Companion.I don’t want to give too much away about the plot, as this is a review rather than a spoiler but there is more to the Wreck than would first appear, all is not well, and some themes of past adventures like Tomb of the Cybermen are on display.

One thing I have to say. The Cult of Corbos. Come on. Is that a rib at the so-called Cult of Corbyn. It amused me to think it was although this cult as far less benevolent. People whose politics vary may have a different view .

For the guest cast Richenda Carey is great as the Professor, a victim of her own academic vanity, and hats off to Adam Newington as twenty. He gives a great performance. Both of the regulars are pretty good. Especially Wendy Padbury whose narration is first class and it is very evocative as the start of the story, as I hinted at earlier. She also gives a great turn as Zoe and this really is a story more for Zoe than Jamie who, in sixties style, seemed absent for quite a bit of the story. Maybe because Frazer Hines was playing the Doctor as well. His Second Doctor varies from really good to okay depending on how the dialogue is being said and how it is being said.

I must also add why is it in this universe that large, scaly, lizard type monsters speak with a generic gruff, deep, butch voice. Some diversity in that respect would be interesting and there are some familiar themes on display. Academic vanity and the consequences of it (a similar theme to many MR James stories, only worth mentioning as it is a Christmas period release), self sacrifice and possession. Indeed I was put in mind of Ark in Space more than once with some of what was going on and I mean that in a good way.
For me possession is one of the most scary themes and is why I have always found the Cybermen a more frightening monster than the Daleks.

I found listening to the extras interesting. Put aside the usual “it was wonderful dahling” sort of stuff. Timothy Atack had some really interesting things to say about it, his experiences of the show growing up and how he pitched the story. It certainly captures the essence of season 6 well. The incidental music, while not obtrusive, really helps the story along as well.

Overall this story draws on several well known themes of the show, would fit perfectly into season 6 even with a small nod to T-Mat from Seeds of Death. I often think it is hard for writers going back that far in the canon of Doctor Who to come up with something authentic to the period. I think the writer captures is here. I think the cast do too and I enjoyed listening to it as well. It is a really solid story.

Written by Martin Kinsella


This title was released in December 2017. It will be exclusively available to buy from the BF website until January 31st 2018, and on general sale after this date.

Undergoing repairs in deep space, the TARDIS is caught in a collision with the huge, decaying wreck of a starship. Zoe, spacewalking, is separated from her companions in the crash, and the Doctor and Jamie wake to find the TARDIS fused to the side of the ship.

Venturing inside to rescue their friend, they discover that they are on board The World, the very first colony ship to leave Earth, lost mid-voyage under unknown circumstances.

And they are not alone. A terrible suspension chamber is filled with dead, withered human bodies, and a team of gun-toting astronauts are stalking the corridors. But a far greater threat lurks deep inside. The terrifying force responsible for the scuttling of the ship is active once more – and if it can’t be stopped, it won’t just be the end of this World. It’ll be the end of all of them.

Written By: Timothy X Atack
Directed By: Lisa Bowerman


Wendy Padbury (Zoe Heriot/Narrator), Frazer Hines (Jamie McCrimmon/The Doctor), Judith Roddy (Commander Lorne), Adam Newington (Twenty), Don McCorkindale (Porthintus), Richenda Carey (Professor Blavatsky). Other parts played by members of the cast.


Producer David Richardson
Script Editor John Dorney
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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Thats twice now in this series I have thought the thought “Hartnellesque”, which is odd as the Troughton and Hartnell era’s were completely different beasts. But this release along with The Night Witches (review HERE) have a distinctly “first Doctor” feel about them, its probably that they are adventures in the recent history of the planet earth rather than base under siege creature features that we associate with Troughton – so a little discombobulated I mulled over what I had heard for a few days before writing my review.

The Morton Legacy is very much a sixties story, a take on the Victorian era that is a pastiche rather than looking at the social realism of the era, the “lower orders’ are seen as conniving and avaricious with comedy cockney accents whilst the gentry including Josiah Morton (David Sibley) and his daughter Jemma (Kerry Gooderson) are seen as thoroughly decent victims of circumstances even when the evidence points towards their involvement in the crimes that have taken place, oh yes, the crimes, you see being set in Victorian London there are a couple of impossible murders a la Holmes.

The story involves Mr Morton who having stolen the TARDIS as he found it lying around on a street corner (as you do) to put into his private museum. Problem is the museum cannot be opened as there is a court case regarding a disputed will, so Morton has stored the TARDIS in his workshop until such time as it can be put on display and will not tell anyone where his workshop is. And when the other claimant in the court case is found dead it seems all is lost and Morton will be going to prison unless The Doctor and co can prove his innocence.

What Justin Richards does in his story telling is very clever at playing with our expectations, there is a strong indication that there is an alien influence with another mystery surrounding a mysterious necklace that amplifies thoughts that has gone missing from Morton’s museum and also two workhouse ruffians who see Morton’s collections as easy pickings and a way out of poverty.

This is a picture postcard look at Victorian England with all the cliches that you would expect, in fact it would seem very at home in the Jago and Litefoot range, but as a Doctor Who story it feels very much like a fish out of water, a throwback to a previous era – maybe its that the second Doctor doesn’t exude the authority that his immediate predecessor did but he really feels alien in a Victorian drawing room in a way that other Doctor’s just wouldn’t so it is a credit to Justin Richards that he decided to use this particular TARDIS team, the feeling I get from this story is one of a story that is slightly off kilter and not quite as it should be, our heroes feel on the back foot and reacting to circumstances rather than shaping them. With nods to Sherlock Holmes, Bleak House and Oliver Twist it drips atmosphere but is not quite for me the sum of its parts – a respectful 7/10.

Written by Ed Watkinson


This title was released in November 2017. It will be exclusively available to buy from the BF website until December 31st 2017, and on general sale after this date.

When the TARDIS lands in London, Ben and Polly are initially delighted to be back home… until they realise that they’re a hundred years too early. But this is nothing next to how the Doctor and Jamie feel when the TARDIS itself vanishes!

Their attempts to locate their ship lead them to an antiquarian, Josiah Morton, possessed of a most unusual collection that is currently subjected to a legal dispute. But they’re not the only people interested in him. Dangerous criminals watch from the shadows, waiting for a moment to strike. And the police are calling too – accusing him of murder.

An unusual series of deaths have been occurring across the capital, and all signs point to Morton as the culprit. But is he really a killer? Or is there something else at large in the city? Something… alien?

Written By: Justin Richards
Directed By: Lisa Bowerman


Anneke Wills (Polly Wright/Narrator), Frazer Hines (Jamie McCrimmon/The Doctor), Elliot Chapman (Ben Jackson), David Sibley (Josiah Morton), Kerry Gooderson (Jemma Morton), Ewan Bailey (Blazzard / Copeland), Alan Blyton (Dexter).

Other parts played by members of the cast.

Producer David Richardson
Script Editor John Dorney
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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I really like this one, it feels like a Doctor Who story should feel (if that is a thing) has a definite beginning, middle and end with very natural feeling cliffhangers (the ending of part one is a particular treat) it is also one of those stories that has inspired one of my semi regular musical interludes – so sit back relax and enjoy Birthday by The Sugarcubes.

That was rather pleasant wasnt it, if a little melancholy – but thats what birthdays are, a celebration but a reminder of our mortality and birthdays play a very important part in The Middle as the story is set on and around Mrs Clarke (Miranda Raison) and her fast approaching 35th birthday and Flip Jackson (Lisa Greenwood) attempting to arrange a “Wren Party” to celebrate much to the dismay of Mrs Clarke & The Doctor (Colin Baker).

Landing on the colony of Formicia Flip is desperate to find an all night party or at the very least a pampering session for Mrs Clarke. It seems like an ideal place, but something doesn’t feel quite right – posters claim “The End is the Beginning” and The Doctor is eyed with suspicion by the oddly very young population…

Already in the pre credits sequence we have witnessed a member of the population facing “The End” – its what happens when you reach 70, and the Doctor is ever so slightly older than that, but also Mrs Clarke is fast approaching her 35th birthday and that leads to “the Middle”.

Doctor Who does this sort of story very well – cautionary tales, cracked mirrors held up to our world, stories like The Sunmakers, Vengeance on Varos, The Macra Terror etc, stories where society has gone up a blind alley and has plainly got it wrong. On Formicia the young get to be young, the middle aged get to do all the work and the elderly face “The End” on their 70th birthday – but being Doctor Who it is not as simple as that and as our heroes find out maybe the end really is the beginning.

The main cast are joined by comedy stalwart Mark Heap as “The Middleman”, basically a middleman, a mid level manager who seems to be in complete control of the colony, played in a typically passive/aggressive Mark Heap style, we also have Sheila Reid making her return to the Colin Baker era as Janaiya.

Colin Baker is pure class in this story relishing every twist and turn that the plot brings – no Doctor does moral outrage quite like Old SIxie and he is on top form confronting the injustices he uncovers on his crusade to see things put right. Miranda Raison and Lisa Greenwood are a fabulous and unlikely pairing as Mrs Clarke & Flip, separated by 60 years in time and an almost infinite chasm in social status they have just clicked with Mrs Clarke showing almost maternal concern for Flip when they are separated – fabulous character development and I hope they have many more adventures together.
The Sixth Doctor releases are always surprising and always rather special and following on from The Behemoth (review HERE) was always going to be difficult but The Middle hits it straight out of the park and on towards The End and fully deserves its 10/10.

Written by Ed Watkinson


This title was released in November 2017. It will be exclusively available to buy from the BF website until December 31st 2017, and on general sale after this date.

It’s L/Wren Mrs Constance Clarke’s birthday – and Flip is determined to make it an anniversary to remember.

The futuristic colony of Formicia, where the pampered populace pass their days in endless leisure, seems the perfect place for a ‘Wren Party’. But all is not as it seems. Looking down from the Middle, the skyscraping tower that ascends as far as the colony ceiling, Formicia’s overseers can see that the Doctor doesn’t fit in – and it’s not just his coat that makes him conspicuous…

“The End is the Beginning,” say the propaganda-like posters all over Formicia. Because to be part of this perfect society comes at a price. And the Doctor’s already in arrears.

Written By: Chris Chapman
Directed By: Jamie Anderson


Colin Baker (The Doctor), Lisa Greenwood (Flip Jackson), Miranda Raison (Mrs Constance Clarke), Mark Heap (The Middleman), Sheila Reid (Janaiya), Wayne Forester (Roman), Hollie Sullivan (Olivia York), Chloe Rickenbach (Chloe).

Other parts played by members of the cast.

Producer David Richardson
Script Editor Alan Barnes
Executive Producers Jason Haigh-Ellery and Nicholas Briggs


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Imagine if you will that this story is two things and they both concern Adric, or to give him his title in this story “The Ingenious Gentleman Adric of Alzarius”.

The first thing this story is is a prism, a prism through which Adric views his companions the newly regenerated Fifth Doctor, Tegan Jovanka and Nyssa of Traken. It is also a pair of rose tinted glasses that gives us insight into how Adric viewed his time with the Fourth Doctor and Romana, and it is a third thing, it is rather wonderful and makes a fitting companion piece to the rather wonderful A Full Life (available HERE and review HERE).

So whats it all about? Well thats the thing, on the surface it is about Adric having an adventure with a Knight Errant who being all teeth and curls and booming of voice seems rather familiar – but it is a lot more than that, this is a look inside Adric’s mind and his perception of the new team compared to the loss he feels for the old Doctor and Romana – and the new Doctor does not fare favourably, in fact Adric paints him as an evil Enchanter who along with his assistant Nyssa have kidnapped the Princess Tegan – and Adric along with the very familiar Knight Sir Keeyoht of la Koura decide he must be stopped. Along the way their quest brings them in to contact with Windmills which may or may not be giants and inspire a young girl to take up the mantle of Knight Errant.

Its a dreamy experience with one foot in reality and one foot in fantasy and it is as real as you want it to be as this story like all the best stories is open to interpretation, I see it as a rite of passage, of a young man growing up somewhat and accepting his place in the new order of things and reflecting on his experiences to become a better person.

Matthew Waterhouse is utterly superb, he really is. Big Finish have given Adric a new lease of life and Matthew along with the writers is using it to really go all out to add layers of depth and meaning to a character that could sometimes come across as a selfish brat on TV when really he was a traumatised troubled youth who had problems making connections with people and who was grieving for the loss of his brother, of Romana and of the Fourth Doctor.

Real congratulations to all involved not only Mr Waterhouse, to Julian Richards as writer, Lisa Bowerman as Director and Rob Harvey’s exceptional score – this really is something special 10/10.

Written by Ed Watkinson


Doctor Who: Short Trips Monthly is a series of new short stories read by an original cast member.

Release #35 is a Fifth Doctor, Adric, Nyssa and Tegan story.

Sir Keeyoht of la Koura, and his loyal squire Adric, are on a quest. A great and noble quest to stop that most vile of Enchanters, the Doctor, from claiming the greatest treasure in the land. Along the way they intend to battle giants (or possibly windmills), inspire adventurers, rescue a princess and ultimately come face to face with that most terrifying of all monsters, the Dragon.

Except Adric knows there are no such thing as Dragons…

Producer Ian Atkins
Script Editor Ian Atkins
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Written By: Julian Richards
Directed By: Lisa Bowerman


Matthew Waterhouse (Narrator)


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